Copyright
Egil Bakka; Theresa Jill Buckland; Helena Saarikoski; Anne von Bibra WhartonPublished On
2020-09-10ISBN
Language
- English
Print Length
494 pages (x+484)Dimensions
Weight
Media
OCLC Number
1197556636LCCN
2019394530BIC
- ASD
- HBTB
- 1D
- 3J
BISAC
- MUS011000
- HIS054000
LCC
- GV1761
Keywords
- dance studies
- historiography
- cultural memory
- folklore
- dance
- Waltz
- Polka
Waltzing Through Europe
Attitudes towards Couple Dances in the Long Nineteenth Century
- Egil Bakka (editor)
- Theresa Jill Buckland (editor)
- Helena Saarikoski (editor)
- Anne von Bibra Wharton (editor)
From ‘folk devils’ to ballroom dancers, Waltzing Through Europe explores the changing reception of fashionable couple dances in Europe from the eighteenth century onwards.
A refreshing intervention in dance studies, this book brings together elements of historiography, cultural memory, folklore, and dance across comparatively narrow but markedly heterogeneous localities. Rooted in investigations of often newly discovered primary sources, the essays afford many opportunities to compare sociocultural and political reactions to the arrival and practice of popular rotating couple dances, such as the Waltz and the Polka. Leading contributors provide a transnational and affective lens onto strikingly diverse topics, ranging from the evolution of romantic couple dances in Croatia, and Strauss’s visits to Hamburg and Altona in the 1830s, to dance as a tool of cultural preservation and expression in twentieth-century Finland.
Waltzing Through Europe creates openings for fresh collaborations in dance historiography and cultural history across fields and genres. It is essential reading for researchers of dance in central and northern Europe, while also appealing to the general reader who wants to learn more about the vibrant histories of these familiar dance forms.
Reviews
All the chapters are in English, and as such the authors are able to introduce hitherto limited-access research materials in their own languages to a wider, international audience. An excellent feature of the book is the extensive use of references to online video material, including the use of QR codes to make access easier. At a time when academic book prices have become excessive, it is pleasing to note that this book is available as a free PDF online, as well as for purchase at a reasonable price. This excellent collection should appeal to anyone with an interest in popular and traditional dance and its international transmission.
Derek Schofield
Folk Music Journal, vol. 12, no. 2,
Additional Resources
Contents
1. The Round Dance Paradigm
(pp. 1–26)- Egil Bakka
2. The State of Research
(pp. 27–52)- Egil Bakka
3. A Survey of the Chapters in the Book
(pp. 53–62)- Egil Bakka
4. The Waltz at Some Central European Courts
(pp. 63–106)- Egil Bakka
5. The Polka as a Czech National Symbol
(pp. 107–148)- Daniela Stavělová
6. Decency, Health, and Grace Endangered by Quick Dancing? The New Dance Style in Bohemia in 1830
(pp. 149–176)- Dorota Gremlicová
- László Felföldi
8. The Waltz among Slovenians
(pp. 239–256)- Rebeka Kunej
9. Dancing and Politics in Croatia: The Salonsko Kolo as a Patriotic Response to the Waltz
(pp. 257–282)- Ivana Katarinčić
- Iva Niemčić
- Jörgen Torp
- Sille Kapper
12. The Ban on Round Dances 1917–1957: Regulating Social Dancing in Norwegian Community Houses
(pp. 343–374)- Egil Bakka
13. Dance and ‘Folk Devils’
(pp. 375–394)- Mats Nilsson
- Helena Saarikoski
15. A Twenty-First Century Resurrection: The Potresujka, the Croatian Polka Tremblante
(pp. 417–432)- Tvrtko Zebec