Book Series
- Open Field Guides Series vol. 2
- ISSN Print: 2514-2496
- ISSN Digital: 2514-250X
Copyright
Darren R. Reid; Brett Sanders;Published On
2021-11-02ISBN
Language
- English
Print Length
296 pages (viii+288)Dimensions
Weight
Media
OCLC Number
1285076842LCCN
2020416971BIC
- APFR
- H
- CAL
- U
BISAC
- PER004110
- TEC000000
LCC
- PN1995.9.D6
Keywords
- digital technologies
- humanities
- digital documentaries
- online distribution
Documentary Making for Digital Humanists
- Darren R. Reid (author)
- Brett Sanders (author)
This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects.
Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process.
This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts.
Additional Resources
Contents
The Humanist Auteur
(pp. 5β24)- Darren R. Reid
- Brett Sanders
Learning to Love the Camera
(pp. 25β28)- Darren R. Reid
- Brett Sanders
The Production Process
(pp. 29β40)- Darren R. Reid
- Brett Sanders
Concept and Planning
(pp. 41β54)- Darren R. Reid
- Brett Sanders
Collaboration
(pp. 55β62)- Darren R. Reid
- Brett Sanders
Precedent
(pp. 63β74)- Darren R. Reid
- Brett Sanders
Choosing Your Filmmaking Equipment
(pp. 75β80)- Darren R. Reid
- Brett Sanders
Core Methods
(pp. 81β92)- Darren R. Reid
- Brett Sanders
Settings, Lenses, Focus, and Exposure
(pp. 93β102)- Darren R. Reid
- Brett Sanders
Composing a Shot β Tips and Techniques
(pp. 103β110)- Darren R. Reid
- Brett Sanders
Shots and Compositions Considered
(pp. 111β118)- Darren R. Reid
- Brett Sanders
The Visual Language of Cinema
(pp. 119β126)- Darren R. Reid
- Brett Sanders
Interviews
(pp. 127β144)- Darren R. Reid
- Brett Sanders
Recording Audio and Creating Soundscapes
(pp. 145β154)- Darren R. Reid
- Brett Sanders
Light
(pp. 155β164)- Darren R. Reid
- Brett Sanders
Camera Movement
(pp. 165β174)- Darren R. Reid
- Brett Sanders
The Two-Page Film School
(pp. 175β178)- Darren R. Reid
- Brett Sanders
- Darren R. Reid
- Brett Sanders
Post-Production Workflow
(pp. 193β202)- Darren R. Reid
- Brett Sanders
The Three-Act Structure
(pp. 203β208)- Darren R. Reid
- Brett Sanders
The Protagonist
(pp. 209β220)- Darren R. Reid
- Brett Sanders
Assembly
(pp. 221β232)- Darren R. Reid
- Brett Sanders
Editing Workflow in Adobe Premiere Pro
(pp. 233β254)- Darren R. Reid
- Brett Sanders
Distribution and Dissemination
(pp. 255β266)- Darren R. Reid
- Brett Sanders
Introduction
(pp. 1β4)- Darren R. Reid
- Brett Sanders