Copyright
Anna BeresinPublished On
2026-03-05ISBN
Language
- English
Print Length
198 pages (X+198+nulla)Dimensions
Weight
Media
OCLC Number
1577545843LCCN
2025432287THEMA
- JHMC
- 5LC
- JNA
BISAC
- SOC047000
- SOC002010
- EDU009000
- PSY004000
- POL038000
LCC
- HQ782
Keywords
- play
- playgrounds
- makerspaces
- childhood studies
- culture change
- UNICEF
Make/Unmake
Play at the Centre of Culture Change
- Anna Beresin (author)
Anna Beresin’s 'Make/Unmake' is an engaging and deeply original exploration of children’s play as a powerful cultural force. Drawing on ethnographic research and vivid travel writing, the author journeys to the Midlands region of England to observe three remarkable play-based programs: the Maker{Futures} Mobile Makerspace, the Pitsmoor Adventure Playground, and the GLUE Collective. She captures the voices of playworkers, teachers, and artists and documents the ingenuity of children turning objects into tools of imagination and change.
At a moment when children’s opportunities for material play are shrinking, this book confronts urgent questions: Who gets to play? Who is left out? The work resonates with UNICEF’s recent call to address inequality, climate pressures, and technological shifts shaping children’s lives today. By centring under-resourced communities, gender equity, and cultural representation, this volume reframes play as both a process of making and unmaking the world—an act of resilience, creativity, and collective transformation.
This book will appeal to scholars and students in childhood studies, play studies, education, and cultural anthropology, as well as practitioners, teachers, policymakers, and all who are committed to protecting children’s right to play.
Endorsements
In this very accessible book, Beresin demonstrates her strong commitment to the idea that for children’s creativity to reach its full potential it is essential for them to be afforded the opportunity to explore, experiment, destroy, and start again – all under their own steam, with a minimum of adult intervention. The book is structured around the author’s Fulbright Scholarship in the UK, where she encountered adventure play, loose (p)arts, and combinatorial flexibility, in practice. Beresin is on a crusade to spread the word about the brilliance of that approach to working with children.
Fraser Brown
Leeds Beckett University
Additional Resources
A blog post by the author about the book and the process of research that went into it.
Contents
- Anna Beresin
Loose Parts: The Pitsmoor Adventure Playground
(pp. 21–48)- Anna Beresin
Loose Arts: The GLUE Collective
(pp. 49–72)- Anna Beresin
Sneaky Play: The Maker{Futures} Mobile Maker Space
(pp. 73–100)- Anna Beresin
Modelling Inclusion in the Makerspace
(pp. 105–118)- Anna Beresin
Talking about Colonialism in the Glue Garden
(pp. 119–132)- Anna Beresin
100 Languages Spoken Here: The Playground as Sanctuary
(pp. 133–156)- Anna Beresin
Conclusion: Play at the Centre of Culture Change
(pp. 157–166)- Anna Beresin
Contributors
Anna Beresin
(author)Anna Beresin is professor emerita of psychology and folklore from the University of the Arts in Philadelphia, Pennsylvania. She co-edits the International Journal of Play and researches children’s folklore, primate physical play, language play, and the connection between play, culture and art. Her books include Play in a Covid Frame: Everyday Pandemic Creativity in a Time of Isolation, which she co-edited with Julia Bishop, and Recess Battles: Playing, Fighting, and Storytelling. Both books earned the Opie Prize in Children’s Folklore from the American Folklore Society. Currently working on her first children’s book, Anna can be found at www.annaberesin.com.