Copyright
Gabriella StanchinaPublished On
2025-01-27ISBN
Language
- English
Print Length
368 pages (vi+362)Dimensions
Weight
Media
OCLC Number
1492407272LCCN
2023513471THEMA
- QDHC
- JMS
- 1FPC
BISAC
- PHI003000
- PHI026000
- PHI016000
- PHI005000
- REL000000
LCC
- B5234.M674
Keywords
- Mou Zongsan
- Chinese philosophy of the self
- Comparative philosophy
- Moral self-cultivation
- Subjectivity and self-consciousness
- Eastern vs. Western philosophical models
The Art of Becoming Infinite
Mou Zongsan’s Vertical Rethinking of Self and Subjectivity
- Gabriella Stanchina (author)
Mou Zongsan is arguably the most important Chinese philosopher of the twentieth century. This work delves into the philosopher's exploration of self and subjectivity, setting Mou Zongsan’s theories against Western paradigms. Mou contrasts Western ‘horizontal’ model, based on the separation of subject and object, and aimed at cognitive enhancement, with the ‘vertical’ view dominant in the Confucian and Daoist tradition. The vertical model has, at its core, a practical-performative interpretation of the subject, based on the moral self-cultivation. This spiritual cultivation enables the finite human being to ‘become infinite,’ embodying the original unlimited moral mind that constitutes the Self and the universe.
In addressing fundamental questions of self-consciousness and self-identity, the book contextualizes Mou's philosophy within contemporary discussions in neuroscience and cognitive science. By placing Mou's ideas in dialogue with Western thought—examining thinkers like Husserl, Kant, Hegel, and Lévinas—as well as with Daoist and Confucian vision of mind, this work opens a pathway to understanding selfhood beyond purely epistemological boundaries.
This book will be of interest to readers and scholars interested in the contemporary debate about mind and the Self, as well as those intrigued by the new horizons opened by a cross-cultural Western-Chinese approach to subjectivity.
Endorsements
The Art of Becoming Infinite is a remarkable book: wide-ranging and ambitious, yet with a consistent focus on self and subjectivity that gives the whole a satisfying coherence. It is eloquently written and yet technically precise; I strongly recommend this book to those already interested in Mou Zongsan or modern Chinese philosophy, as well as to anyone looking to broaden their engagement with the philosophy of mind.
Stephen C. Angle
Wesleyan University
Additional Resources
Contents
Introduction
(pp. 1–38)- Gabriella Stanchina
1. The Question of Subjectivity
(pp. 39–68)- Gabriella Stanchina
- Gabriella Stanchina
3. The “Diaphanous Subject” in Daoist Thought
(pp. 113–188)- Gabriella Stanchina
- Gabriella Stanchina
5. Self-limitation of the Moral Self as Kenosis
(pp. 247–300)- Gabriella Stanchina
Conclusions: Facets of Self across Cultures
(pp. 301–334)- Gabriella Stanchina
Contributors
Gabriella Stanchina
(author)Gabriella Stanchina holds a Phd in Western Philosophy from the Catholic University of Milan, and a PhD in Chinese Philosophy from Fudan University, Shanghai. Her research area is Chinese-Western Comparative Philosophy, with particular focus on the problem of self-consciousness in Mou Zongsan and Novalis. Her publications include Il limite generante. Analisi delle Fichte Studien di Novalis [The generating boundary. Analysis of Novalis’ Fichte Studien] (2002), and several comparative articles including: ‘Zhi 知as unceasing dynamism and practical effort. The common root of knowledge and action in Wang Yangming and Peter Sloterdijk’ (Wenxue Journal 2015), ‘The butterfly dream as “creative dream”: dreaming and subjectivity in Zhuangzi and María Zambrano’ (Asian Philosophy 2018), and ‘Naming the unnamable: a comparison between Wang Bi’s Commentary on the Laozi and Derrida's Khōra’ (Dao, 2020).