The Art of Becoming Infinite is a remarkable book: wide-ranging and ambitious, yet with a consistent focus on self and subjectivity that gives the whole a satisfying coherence. It is eloquently written and yet technically precise; I strongly recommend this book to those already interested in Mou Zongsan or modern Chinese philosophy, as well as to anyone looking to broaden their engagement with the philosophy of mind.
Stephen C. Angle
Wesleyan University
Gabriella Stanchina holds a Phd in Western Philosophy from the Catholic University of Milan, and a PhD in Chinese Philosophy from Fudan University, Shanghai. Her research area is Chinese-Western Comparative Philosophy, with particular focus on the problem of self-consciousness in Mou Zongsan and Novalis. Her publications include Il limite generante. Analisi delle Fichte Studien di Novalis [The generating boundary. Analysis of Novalis’ Fichte Studien] (2002), and several comparative articles including: ‘Zhi 知as unceasing dynamism and practical effort. The common root of knowledge and action in Wang Yangming and Peter Sloterdijk’ (Wenxue Journal 2015), ‘The butterfly dream as “creative dream”: dreaming and subjectivity in Zhuangzi and María Zambrano’ (Asian Philosophy 2018), and ‘Naming the unnamable: a comparison between Wang Bi’s Commentary on the Laozi and Derrida's Khōra’ (Dao, 2020).