Book Series
- World Oral Literature Series vol. 14
- ISSN Print: 2050-7933
- ISSN Digital: 2054-362X
Copyright
Ruth Finnegan;Published On
2025-05-28ISBN
Language
- English
Print Length
428 pages (xxiv+404)Dimensions
Weight
Media
OCLC Number
1521445115LCCN
2025465560THEMA
- JBGB
- DSM
- JHB
- DSA
- JHMC
BISAC
- LIT020000
- LIT022000
- SOC002010
- SOC011000
LCC
- PN1341
Keywords
- Oral Poetry
- Comparative Analysis
- Transmission
- Cultural Context
- Social Phenomenon
- Literary Tradition
Oral Poetry
- Ruth Finnegan (author)
This book offers a comprehensive introduction to the vast field of 'oral poetry,' encompassing everything from American folksongs, contemporary pop songs, and Inuit lyrics, to the heroic epics of Homer, biblical psalms, and epic traditions in Asia and the Pacific. Taking a broad comparative approach, it explores oral poetry across Africa, Asia, Oceania, Europe, and the Americas. Drawing on global research, Ruth Finnegan, the author of the seminal Oral Literature in Africa, sheds light on key debates such as the nature of oral tradition, the relationship between poetry and society, the differences between oral and written forms, and the role of poets in predominantly non-literate contexts.
Written from a primarily anthropological and literary perspective, this study contributes to the socio-cultural aspects of verbal art while also engaging with the literary dimensions of poetry which happens at any given moment to be unwritten. Finnegan's clear, non-technical language and extensive use of translated examples make this work accessible to a wide audience, appealing not only to sociologists and anthropologists but also to those with an interest in poetry, in comparative literature, and in global folk traditions.
The re-issue of this classic study is now augmented by further illustrations and a newly written Introduction and Conclusion, situating it in the context of the contemporary study of literature.
Additional Resources
Contents
Foreword
(pp. xi–xii)- Mark Turin
1. Introduction
(pp. 1–38)- Ruth Finnegan
2. Some approaches to the study of oral poetry
(pp. 39–68)- Ruth Finnegan
3. Composition
(pp. 69–112)- Ruth Finnegan
4. Style and performance
(pp. 113–170)- Ruth Finnegan
5. Transmission, distribution and publication
(pp. 171–216)- Ruth Finnegan
6. Poets and their positions
(pp. 217–274)- Ruth Finnegan
7. Audience, context and function
(pp. 275–310)- Ruth Finnegan
8. Poetry and society
(pp. 311–344)- Ruth Finnegan
Concluding comment
(pp. 345–348)- Ruth Finnegan
Afterword
(pp. 349–355)- Ruth Finnegan
Contributors
Ruth Finnegan
(author)Ruth Finnegan FBA OBE was born in 1933 in the beautiful fraught once-island city of Derry, Northern Ireland, and brought up there, together with several magical years during the war in Donegal. She had her education at the little Ballymore First School in County Donegal, Londonderry High School, Mount (Quaker) School York, then first class honours in Classics (Literae humaniores) and a doctorate in Anthropology at Oxford. This was followed by fieldwork and university teaching in Africa, principally Sierra Leone and Nigeria. She then joined the pioneering Open University as a founding member of the academic staff, where she spent the rest of her career apart from three years – and more fieldwork – at the University of the South Pacific in Fiji, and is now, proudly, an Open University Emeritus Professor. She was elected a Fellow of the British Academy in 1996, and is also an Honorary Fellow of Somerville College, Oxford. Ruth has published two books with OBP, Why Do We Quote? The Culture and History of Quotation (2011), https://doi.org/10.11647/obp.0012 and Oral Literature in Africa (2012), https://doi.org/10.11647/obp.0025