Copyright
Kalia Brooks Nelson; Cheryl Finley; Ellyn Toscano; Deborah Willis;Published On
2022-11-14ISBN
Language
- English
Print Length
406 pages (xxiv+382)Dimensions
Weight
Media
LCCN
2021386019BIC
- AG
- AJ
- JFFN
- JFS
BISAC
- SOC008000
- SOC007000
- SOC028000
LCC
- JV6347
Keywords
- women
- migration
- intersectionality
- art
- film
- poetry
- food
- borders
- identity
- trauma
- dislocation
- humanities
- social sciences
- public policy
Women and Migration(s) II
- Kalia Brooks (editor)
- Cheryl Finley (editor)
- Ellyn Toscano (editor)
- Deborah Willis (editor)
Reviews
[...] Women and Migration(s) II adeptly combines scholarly analysis with poignant narratives to bring a human touch to the statistical information regarding migration patterns. By employing vivid language and powerful imagery throughout the book, the authors encourage readers to empathize with the real-life stories of women on the move. This unique fusion of academic rigor and emotional resonance not only educates but also prompts introspection on our responsibilities in fostering inclusive communities for all mobile individuals.
Md. Ziaul Haque, Farmina Taslim & Saji Varghese
Women's Studies: An inter-disciplinary journal ( 1547-7045), 2024. doi:10.1080/00497878.2024.2381805
Additional Resources
Hosted by NYU – Washington, DC on June 3, 2020
Hosted by NYU – Washington, DC on June 10, 2020
Hosted by NYU – Washington, DC on June 17, 2020
Hosted by NYU – Washington, DC on June 24, 2020
Hosted by NYU – Washington, DC on August 4, 2020
Hosted by NYU – Washington, DC on August 5, 2020
Hosted by NYU – Washington, DC on October 7, 2020
Hosted by NYU – Washington, DC on October 28, 2020
Contents
Introduction
(pp. 1–4)- Kalia Brooks
- Deborah Willis
- Ellyn Toscano
- Cheryl Finley
1. Carry Over
(pp. 9–18)- Sama Alshaibi
2. Marie Louise Christophe
(pp. 19–22)- Firelei Báez
3. Astral Sea
(pp. 23–28)- Tsedaye Makonnen
4. Maid in the USA
(pp. 29–30)- Carolina Mayorga
5. Rapture
(pp. 31–32)- Shirin Neshat
6. Blessing of the Boats
(pp. 33–36)- Muna Malik
7. Island Putas
(pp. 37–42)- Gabriella N. Báez
- Leslie King-Hammond
9. Notes from an Undisclosed Location: Someplace in the Mojave Desert, California, United States
(pp. 47–52)- Brandy Dyess
10. Of Bodies and Borders
(pp. 53–56)- Maria Elena Ortiz
11. Sweet Milk in the Badlands
(pp. 57–60)- Allison Janae Hamilton
- Patricia Cronin
13. From a Hot Border
(pp. 67–68)- Hồng-Ân Trương
14. NormaNamesake/The Choice
(pp. 69–72)- Nashormeh N.R. Lindo
15. Refugees
(pp. 75–76)- Ifrah Mahamud Magan
- Kalia Brooks
17. Radically Sustained Care: Chandra McCormick’s Katrina Displacement as a Mother and an Artist
(pp. 87–98)- Hannah Ryan
- Deborah Willis
- Arlene Dávila
20. Joy Gregory: A Woman on the Go!
(pp. 117–134)- Cheryl Finley
21. Reading against the Grain of the Black Madonna: Black Motherhood, Race and Religion
(pp. 135–154)- Yelaine Rodriguez
- Debora Spini
23. Requiem for a Drink of Water
(pp. 165–166)- Bryn Evans
- Arielsela Holdbrook-Smith
- Heike Raphael-Hernandez
26. Telling the Story of a Global Pandemic: African Wax Prints, Style, Beauty and COVID-19 in Ghana, West Africa
(pp. 181–194)- Paulette Young
27. The Empathy Exodus
(pp. 195–202)- Esther Armah
- Roshini Kempadoo
- Jennifer Clement
- Sarah K. Khan
31. Instants: Fragments of Return
(pp. 233–238)- Hande Gurses
- Sirpa Salenius
33. Optical Self(s): Métis Women’s Authorship Regarding Conception of Self in Pre-Independence Senegal
(pp. 249–258)- Summer Sloane-Britt
- Gunja SenGupta
- Michelle Lanier
- Bettina Gockel
37. Mom Rose
(pp. 297–304)- Melvina Lathan
38. She Carried with Her Neither Memory Nor Archive
(pp. 305–312)- Ellyn Toscano
- Terri Geis
- Von Diaz
41. How to Look at Silence
(pp. 347–346)- Nohora Arrieta
Contributors
Kalia Brooks
(editor)Kalia Brooks, PhD, is a New York based independent curator, educator and writer. Brooks is currently an Adjunct Professor in the Department of Photography and Imaging at New York University’s Tisch School of the Arts. Brooks holds a Ph.D. in Aesthetics and Art Theory from the Institute for Doctoral Studies in the Visual Arts. She received her M.A. in Curatorial Practice from the California College of the Arts in 2006, and was a Helena Rubinstein Fellow in Critical Studies at the Whitney Independent Study Program 2007/2008. She has served as a consulting curator with the City of New York through the Department of Cultural Affairs and Gracie Mansion Conservancy. Brooks is also currently an ex-officio trustee on the Board of the Museum of the City of New York.
Cheryl Finley
(editor)Ellyn Toscano
(editor)Ellyn Toscano is Executive Director of New York University Florence. She directs NYU’s Villa La Pietra, a fifteenth-century villa and collection of six thousand objects dating from the Etruscans to the twentieth century. She founded and directs La Pietra Dialogues, a year-long series of conferences and talks, and founded and produces The Season, a summer cultural festival in the Villa’s expansive gardens. Before arriving at NYU Florence, Toscano served as Chief of Staff and Counsel to Congressman Jose Serrano of New York, was his chief policy advisor and directed his work on the Appropriations Committee. Toscano also served as counsel to the New York State Assembly Committee on Education for nine years. She has served on the boards of several prominent arts and cultural institutions including the Bronx Museum of the Arts and the Brooklyn Academy of Music (as the representative of the Brooklyn Borough President). In Italy, she serves on the board of the Museo Marino Marini in Florence, and the Italian Advisory Council of the Civitella Ranieri Foundation. A lawyer by training, Toscano earned an LLM in International Law from New York University School of Law.
Deborah Willis
(editor)Deborah Willis, PhD, is University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University and has an affiliated appointment with the Department of Social & Cultural Analysis, Africana Studies, where she teaches courses on photography and imaging, iconicity, and cultural histories visualizing the black body, women, and gender. Her research examines photography’s multifaceted histories, visual culture, the photographic history of Slavery and Emancipation, contemporary women photographers and beauty. She received the John D. and Catherine T. MacArthur Fellowship and was a Richard D. Cohen Fellow in African and African American Art, Hutchins Center, Harvard University and a John Simon Guggenheim Fellow. Professor Willis received the NAACP Image Award in 2014 for her co-authored book Envisioning Emancipation. Other notable projects include Reflections in Black: A History of Black Photographers – 1840 to the Present, Posing Beauty: African American Images from the 1890s to the Present, Michelle Obama: The First Lady in Photographs, an NAACP Image Award Literature Winner.