Copyright
George Corbett; Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s).Published On
2024-06-28ISBN
Language
- English
Print Length
478 pages (xiv+464)Dimensions
Weight
Media
Funding
- University of St Andrews
- Programme: University of St Andrews’ Institutional Open Access Fund
OCLC Number
1443868876THEMA
- AVLK
- AVLA
- AVA
- QRVJ1
BIC
- AVA
- AVGD
- HRCR
BISAC
- MUS048000
- MUS048010
- REL055000
Keywords
- Spiritual
- Western culture
- Christianity
- Musicology
- Ethnomusicology
- Neuroscience
Music and Spirituality
Theological Approaches, Empirical Methods, and Christian Worship
The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality.
Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.
This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.
Contents
Introduction
(pp. 1–12)- George Corbett
- Sarah Moerman
Foreword: A Composer’s Perspective’
(pp. 13–18)- James MacMillan
1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and its Theological Ramifications
(pp. 21–40)- Jeremy Begbie
- Peter C. Bouteneff
3. Music, Breath, and Spirit
(pp. 55–72)- Michael O’Connor
- Férdia J. Stone-Davis
- Bennett Zon
- C.M. Howell
- Yeshaya David M. Greenberg
8. An Inquiry into Musical Trance
(pp. 159–192)- Dilara Turan
9. An Ethnomusicology of Spiritual Realities
(pp. 193–208)- Jeffers Engelhardt
- Bernard Łukasz Sawicki
- Maeve Louise Heaney
12. The Impetus to Compose: Where is Fantasy Bred?
(pp. 255–270)- Richard E. McGregor
- Melanie Wald-Fuhrmann
- Jonathan Arnold
15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship
(pp. 305–326)- Elspeth Manders
16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology
(pp. 327–354)- Tihomir Lazić
17. Choral Singers and Spiritual Realities: A Perspective from St Mary’s Catholic Cathedral
(pp. 355–370)- Michael Ferguson
- Martin V. Clarke
Afterword: ‘A Psychologist’s Perspective’
(pp. 389–398)- John Sloboda
Contributors
George Corbett
(editor)George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).
Sarah Moerman
(editor)Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.