Copyright
George Corbett; Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s).Published On
2024-06-28ISBN
Language
- English
Print Length
478 pages (xiv+464)Dimensions
Weight
Media
Funding
- University of St Andrews
- Programme: University of St Andrews’ Institutional Open Access Fund
OCLC Number
1443868876THEMA
- AVLK
- AVLA
- AVA
- QRVJ1
BIC
- AVA
- AVGD
- HRCR
BISAC
- MUS048000
- MUS048010
- REL055000
Keywords
- Spiritual
- Western culture
- Christianity
- Musicology
- Ethnomusicology
- Neuroscience
Music and Spirituality
Theological Approaches, Empirical Methods, and Christian Worship
Contents
Introduction
(pp. 1–12)- George Corbett
- Sarah Moerman
Foreword: A Composer’s Perspective’
(pp. 13–18)- James MacMillan
- Jeremy Begbie
- Peter C. Bouteneff
3. Music, Breath, and Spirit
(pp. 55–72)- Michael O’Connor
- Férdia J. Stone-Davis
- Bennett Zon
- C.M. Howell
- Yeshaya David M. Greenberg
8. An Inquiry into Musical Trance
(pp. 159–192)- Dilara Turan
9. An Ethnomusicology of Spiritual Realities
(pp. 193–208)- Jeffers Engelhardt
- Bernard Łukasz Sawicki
- Maeve Louise Heaney
12. The Impetus to Compose: Where is Fantasy Bred?
(pp. 255–270)- Richard E. McGregor
- Melanie Wald-Fuhrmann
- Jonathan Arnold
15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship
(pp. 305–326)- Elspeth Manders
16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology
(pp. 327–354)- Tihomir Lazić
17. Choral Singers and Spiritual Realities: A Perspective from St Mary’s Catholic Cathedral
(pp. 355–370)- Michael Ferguson
- Martin V. Clarke
Afterword: ‘A Psychologist’s Perspective’
(pp. 389–398)- John Sloboda
Contributors
George Corbett
(editor)George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).
Sarah Moerman
(editor)Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.