Letters of Blood and Other Works in English - cover image

Copyright

Robert Archambeau; Elinor Shaffer; Lars-Håkan Svensson; Göran Printz-Påhlson;

Published On

2011-11-30

ISBN

Paperback978-1-906924-56-0
Hardback978-1-906924-57-7
PDF978-1-906924-58-4
HTML978-1-80064-444-1
EPUB978-1-906924-59-1
MOBI978-1-906924-60-7

Language

  • English

Print Length

261 pages (xxxvi + 226)

Dimensions

Paperback156 x 14 x 234 mm(6.14" x 0.55" x 9.21")
Hardback156 x 16 x 234 mm(6.14" x 0.63" x 9.21")

Weight

Paperback822g (29.00oz)
Hardback1203g (42.43oz)

OCLC Number

939888771

LCCN

2019467809

BIC

  • DCF
  • DSA
  • 1DNS

BISAC

  • POE005030
  • LIT014000

LCC

  • PT9876.26.R5

Keywords

  • Poetry
  • Swedish poetry
  • Swedish literature
  • Sweden
  • The Words of the Tribe
  • modernism
  • Scandinavia
  • Scandinavian literature
  • American poetry
  • primitivism
  • literary theory
  • literary materialism
  • literary criticism

Letters of Blood and Other Works in English

  • Göran Printz-Påhlson (author)
  • Robert Archambeau (editor)
  • Lars-Håkan Svensson (preface by)
  • Elinor Shaffer (foreword by)

This collection brings together for the first time select works in English by the major Swedish modernist poet and critic Göran Printz-Påhlson. It was Printz-Påhlson who introduced poetic modernism to Scandinavia, and his essays and poems delve deeply into English, American, and continental modernist traditions. As well as Letters of Blood, the collection includes the full text of "The Words of the Tribe", a major statement on modern poetics, in which Printz-Påhlson explores the significance of primitivism in Romanticism and Modernism, and the nature of metaphor and literary materialism. The collection also includes essays on style, irony, realism, and the relationship between historical drama and historical fiction, as well as studies of American poetry. Printz-Påhlson’s poetry in English continues to explore these themes by different, often surprisingly innovative, means.

Reviews

It seems to me that people (like me) know very little about Scandinavian modernism, but this volume of writings by the Swedish poet, translator, and critic Göran Printz-Påhlson may help to improve matters.

Gerald Bruns

"“The Plain Sense of Things”: Göran Printz-Påhlson’s Vernacular Modernism". Notre Dame Review (1082-1864), vol. 35, 2013.

Full Review

Contents

Contributors

Göran Printz-Påhlson

(author)

Robert Archambeau

(editor)
Professor of English at Lake Forest College

Robert Archambeau is a poet and critic whose books include the study Laureates and Heretics: Six Careers in American Poetry (2010) and the poetry collection Home and Variations (2004). He has edited several books, including Word Play Place: Essays on the Poetry of John Matthias (1998) and The & Now Awards: The Best Innovative Writing (2009). His writing has appearing in Poetry, Boston Review, PN Review, Pleiades, Chicago Review, and many other journals, and he has received grants and awards from the Academy of American Poets, the Swedish Academy, and other organisations. He has taught at Lund University in Sweden, and is professor of English at Lake Forest College, Illinois.

Lars-Håkan Svensson

(preface by)
Professor Emeritus of Language and Culture at Linköping University

Lars-Håkan Svensson is Professor Emeritus of Language and Culture at Linköping University, Sweden. His main publications are on Renaissance poetry (Samuel Daniel, Edmund Spenser) and contemporary American and Irish poetry. His three interviews with Göran Printz-Påhlson are included in the latter's När jag var prins utav Arkadien (1995). He is a critic as well as a translator (among others Aeschylus, Sophocles, Euripides, Sir Philip Sidney, John Matthias, Paul Muldoon, and Les Murray). He lives in Lund.

Elinor Shaffer

(foreword by)
Senior Fellow of the merged Institute of Germanic & Romance Studies at University of London

Elinor Shaffer, FBA, is Senior Fellow of the merged Institute of Germanic & Romance Studies, University of London. She is also Research Director and Series Editor of The Reception of British and Irish Authors in Europe (Continuum 2002-). Her publications include The Fall of Jerusalem: The Mythological School of Biblical Criticism and Secular Literature 1770–1880 (1975), Erewhons of the Eye: Samuel Butler as Painter, Photographer and Art Critic (1987). Elinor Shaffer has taught at Berkeley, Cambridge, University of East Anglia, and held Visiting posts at Berlin, Brown, Zurich, and Stanford.