Copyright
Dennis Tredy; Annick Duperray; Adrian HardingPublished On
2011-05-01ISBN
Language
- English
Print Length
320 pages (xxiv + 294)Dimensions
Weight
Media
OCLC Number
794698071LCCN
2019452795BIC
- DSB
- BGL
BISAC
- LIT004020
- LIT004130
- BIO007000
LCC
- PS2124
Keywords
- Henry James
- European reception of Henry James
- authorship
- English literature
- European Society of Jamesian Studies
- Americans in Europe
- American literature
- The Ambassadors
- What Maisie Knew
- The American
- Portrait of a Lady
- novel
Henry James's Europe
Heritage and Transfer
- Dennis Tredy (editor)
- Annick Duperray (editor)
- Adrian Harding (editor)
As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction.
This collection of twenty-four papers from some of the world’s leading James scholars offers a comprehensive picture of the author’s cross-cultural aesthetics. It provides detailed analyses of James’s perception of Europe—of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics—which ultimately lead to a profound reevaluation of his writing.
Endorsements
Taken both as a whole and individually this collection of essays makes a real contribution to James studies.
Professor Adrian Poole
University of Cambridge
Additional Resources
Introduction Dennis Tredy
I. Re-Readings and Re-Workings of the International Theme
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Tourist Attractions, Stereotypes and Physiognomies in The American H. K. Riikonen
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‘Haunting and Penetrating the City’: The Influence of Emile Zola’s L’Assommoir on James’s The Princess Casamassima David Davies
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The Mother as Artist in "Louisa Pallant”: Re-casting the International Scene Larry A. Gray
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James’s Romantic Promises: The Golden Bowl and the Virtual Leman Giresunlu
II. Beyond Biography
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Father and Son: The Divided Self in James’s Notes of a Son and Brother Mhairi Pooler
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"Fond Calculations”: The Triumph of James’s Mathematical Failure Isobel Waters
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A Multiplicity of Folds of an Unconscious ‘Crystal’ Monad: James, Benjamin, and Blanchot Erik S. Roraback
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"Life after Death”: James and Postmodern Biofiction Madeleine Danova
Bibliography of works cited
Contents
Henry James on Opening the Door to the Devil
(pp. 3–16)- Jean Gooder
- Roxana Oltean
James’s Sociology of Taste: The Ambassadors, Commodity Consumption and Cultural Critique
(pp. 39–50)- Esther Sánchez -Pardo
Bad Investments
(pp. 51–57)- Eric Savoy
- Hazel Hutchison
The Citizens of Babylon and the Imperial Imperative: Henry James’s Modern Parisian Women
(pp. 71–80)- Claire Garcia
- Agnès Derail-Imbert
Figures of Fulfilment: James and ‘a Sense of Italy’
(pp. 93–102)- Jacek Gutorow
- Rosella Mamoli Zorzi
The Wavering Ruins of The American
(pp. 113–120)- Enrico Botta
- Kathleen Lawrence
A Discordance Between the Self and the World: The Collector in Balzac’s Cousin Pons and James’s ‘Adina’
(pp. 137–145)- Simone Francescato
The ‘déjà vu’ in ‘The Turn of the Screw’
(pp. 147–151)- Max Duperray
Some Allusions in the Early Stories
(pp. 157–167)- Angus Wrenn
- Rebekah Scott
James and the Habit of Allusion
(pp. 179–189)- Oliver Herford
The Absent Writer in The Tragic Muse
(pp. 193–201)- Nelly Valtat-Comet
James and the “Paradox of the Comedian”
(pp. 203–213)- Richard Anker
- Hubert Teyssandier
- Eleftheria Arapoglou
- Jakob Stougaard-Nielsen
- Paula Marantz Cohen
Friction with the Publishers, or How James Manipulated his Editors in the Early 1870's
(pp. 255–262)- Pierre Walker
Losing Oneself: Autobiography, Memory, Vision
(pp. 263–271)- John Holland
- H. K. Riikonen
‘Haunting and Penetrating the City’: The Influence of Emile Zola’s L’Assommoir on James’s The Princess Casamassima
(pp. s20–s28)- David Davies
- Larry Gray
- Leman Giresunlu
- Mhairi Pooler
- Isobel Waters
A Multiplicity of Folds of an Unconscious ‘Crystal’ Monad: James, Benjamin, and Blanchot
(pp. s68–s77)- Erik Roraback
“Life after Death”: James and Postmodern Biofiction
(pp. s78–s85)- Madeleine Danova
Contributors
Dennis Tredy
(editor)Dennis Tredy is a tenured associate professor (maître de conférences) at the University of Paris III – Sorbonne Nouvelle, where he teaches American Literature and Creative Writing. He has published numerous articles on the works of Henry James, Truman Capote and Vladimir Nabokov, and his doctoral thesis of 2002 dealt with The ‘Innocent Reflector’ and Its Function in the Works of Henry James’s ‘Experimental Period’. His most recent studies of Henry James have dealt with the reception of James’s work in Europe, with James’s reception of English and French authors, and with film adaptationsof the works of James.
Annick Duperray
(editor)Annick Duperray is Emeritus Professor of American Literature at the Université of Provence (Aix-Marseille Université). She is volume editor for two of the four volumes of the critical edition of Henry James’s Nouvelles complètes (Editions Gallimard/Bibliothèque de la Pléiade, 2003). Her publications include an analytical study of Henry James’s tales, Echec etécriture : essai sur les nouvelles d’Henry James (1993) and a contribution to Henry James in Context (David McWhirter ed., Cambridge University Press, 2010). She also edited The Reception of Henry James in Europe (Continuum Books, 2006).
Adrian Harding
(editor)Adrian Harding teaches Comparative Literature at the American University of Paris and American Literature at the University of Provence (Aix-Marseille). Besides poetry, his publications include Blinds, a Study of the Aesthetics of Fiction (Lebeer Hossmann, 1985) and A Survey of English Literature: the 20th Century (Dunod, 1992). He has written extensively on modern narrative, on poetics and on contemporary art, including articles on realism and narrative poetics in Henry James. His most recent book,with photographs by Alecio de Andrade and a preface by Edgar Morin, is Louvre Blinds: Le Louvre et ses visiteurs (Le Passage, 2009).