Henry James's Europe: Heritage and Transfer - cover image

Copyright

Dennis Tredy; Annick Duperray; Adrian Harding

Published On

2011-05-01

ISBN

Paperback978-1-906924-36-2
Hardback978-1-906924-37-9
PDF978-1-906924-38-6
HTML978-1-80064-440-3

Language

  • English

Print Length

320 pages (xxiv + 294)

Dimensions

Paperback156 x 17 x 234 mm(6.14" x 0.67" x 9.21")
Hardback156 x 19 x 234 mm(6.14" x 0.75" x 9.21")

Weight

Paperback989g (34.89oz)
Hardback1374g (48.47oz)

Media

Illustrations5

OCLC Number

794698071

LCCN

2019452795

BIC

  • DSB
  • BGL

BISAC

  • LIT004020
  • LIT004130
  • BIO007000

LCC

  • PS2124

Keywords

  • Henry James
  • European reception of Henry James
  • authorship
  • English literature
  • European Society of Jamesian Studies
  • Americans in Europe
  • American literature
  • The Ambassadors
  • What Maisie Knew
  • The American
  • Portrait of a Lady
  • novel

Henry James's Europe

Heritage and Transfer

As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction.

This collection of twenty-four papers from some of the world’s leading James scholars offers a comprehensive picture of the author’s cross-cultural aesthetics. It provides detailed analyses of James’s perception of Europe—of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics—which ultimately lead to a profound reevaluation of his writing.

Endorsements

Taken both as a whole and individually this collection of essays makes a real contribution to James studies.

Professor Adrian Poole

University of Cambridge

Additional Resources

[document]Supplementary Chapters

Introduction Dennis Tredy

I. Re-Readings and Re-Workings of the International Theme

  1. Tourist Attractions, Stereotypes and Physiognomies in The American H. K. Riikonen

  2. ‘Haunting and Penetrating the City’: The Influence of Emile Zola’s L’Assommoir on James’s The Princess Casamassima David Davies

  3. The Mother as Artist in "Louisa Pallant”: Re-casting the International Scene Larry A. Gray

  4. James’s Romantic Promises: The Golden Bowl and the Virtual Leman Giresunlu

    II. Beyond Biography

  5. Father and Son: The Divided Self in James’s Notes of a Son and Brother Mhairi Pooler

  6. "Fond Calculations”: The Triumph of James’s Mathematical Failure Isobel Waters

  7. A Multiplicity of Folds of an Unconscious ‘Crystal’ Monad: James, Benjamin, and Blanchot Erik S. Roraback

  8. "Life after Death”: James and Postmodern Biofiction Madeleine Danova

Bibliography of works cited

Contents

Bad Investments

(pp. 51–57)
  • Eric Savoy
  • Enrico Botta
  • Angus Wrenn
  • Oliver Herford
  • Nelly Valtat-Comet

Contributors

Dennis Tredy

(editor)
Senior Lecturer American Literature and Creative Writing at Sorbonne Nouvelle University

Dennis Tredy is a tenured associate professor (maître de conférences) at the University of Paris III – Sorbonne Nouvelle, where he teaches American Literature and Creative Writing. He has published numerous articles on the works of Henry James, Truman Capote and Vladimir Nabokov, and his doctoral thesis of 2002 dealt with The ‘Innocent Reflector’ and Its Function in the Works of Henry James’s ‘Experimental Period’. His most recent studies of Henry James have dealt with the reception of James’s work in Europe, with James’s reception of English and French authors, and with film adaptationsof the works of James.

Annick Duperray

(editor)
Emeritus Professor of American Literature at Aix-Marseille Université

Annick Duperray is Emeritus Professor of American Literature at the Université of Provence (Aix-Marseille Université). She is volume editor for two of the four volumes of the critical edition of Henry James’s Nouvelles complètes (Editions Gallimard/Bibliothèque de la Pléiade, 2003). Her publications include an analytical study of Henry James’s tales, Echec etécriture : essai sur les nouvelles d’Henry James (1993) and a contribution to Henry James in Context (David McWhirter ed., Cambridge University Press, 2010). She also edited The Reception of Henry James in Europe (Continuum Books, 2006).

Adrian Harding

(editor)
Comparative Literature at American University of Paris

Adrian Harding teaches Comparative Literature at the American University of Paris and American Literature at the University of Provence (Aix-Marseille). Besides poetry, his publications include Blinds, a Study of the Aesthetics of Fiction (Lebeer Hossmann, 1985) and A Survey of English Literature: the 20th Century (Dunod, 1992). He has written extensively on modern narrative, on poetics and on contemporary art, including articles on realism and narrative poetics in Henry James. His most recent book,with photographs by Alecio de Andrade and a preface by Edgar Morin, is Louvre Blinds: Le Louvre et ses visiteurs (Le Passage, 2009).