This is clearly an excellent collection of essays written by many of the best scholars in this field. The contributions are very well balanced in covering the different parts of Britain and encompassing a wide range of themes. The editors are a fine team with a superb track record, and each one of the authors is a foremost expert in their particular area.
Adam Fox
Professor of Social History, University of Edinburgh
In ten chapters, bookended by the editors’ introduction, a fascinating overview of the areas that have engaged scholars to date, and Atkinson’s afterword, summarizing the themes encompassed and outlining areas for future scholarship, we enjoy a fuller picture of what was printed and read in the long eighteenth century than has been previously published. [...] Taken together, these essays illuminate local print history and characters along with offering broader vistas, especially of the Scottish trade. They treat of both continuity and development, a dichotomy that Atkinson in his afterword contends is ‘at the heart of the eighteenth century, and could usefully remain at the heart of future research into the cheap print trade’. The achievement of the book is in setting this ‘heart’ beating to provide the lifeblood to new scholarship. Its availability on open access will provide both researchers and enthusiasts with stimulating fare.
Catherine Ann Cullen
Folk Music Journal, 2024.
David Atkinson is the author of The English Traditional Ballad (2002), The Anglo-Scottish Ballad and its Imaginary Contexts (2014), and The Ballad and its Pasts: Literary Histories and the Play of Memory (2018). With Steve Roud he has co-edited Street Ballads in Nineteenth-Century Britain, Ireland, and North America (2014), Street Literature of the Long Nineteenth Century (2017), Cheap Print and the People: European Perspectives on Popular Literature (2019), Street Literature and the Circulation of Songs (2019), and Printers, Pedlars, Sailors, Nuns: Aspects of Street Literature (2020). He has published articles on cheap print in The Library, Publishing History, Papers of the Bibliographical Society of America, and the Journal of the Edinburgh Bibliographical Society. He is the editor of Folk Music Journal, Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen, and Executive Secretary of the Kommission für Volksdichtung (Ballad Commission).
Steve Roud is a retired Local Studies librarian and now a freelance writer, researcher, and indexer specializing in the history of traditional song and street literature. He is the compiler of the online Folk Song Index and Broadside Index databases, and his Folk Song in England was published by Faber in 2017. Most recently, he has co-edited The Routledge Companion to English Folk Performance (2021). With David Atkinson he has co-edited Street Ballads in Nineteenth-Century Britain, Ireland, and North America (2014), Street Literature of the Long Nineteenth Century (2017), Cheap Print and the People: European Perspectives on Popular Literature (2019), Street Literature and the Circulation of Songs (2019), and Printers, Pedlars, Sailors, Nuns: Aspects of Street Literature (2020).