I know of nothing even approaching the scope, detail, and rigor of Jens Eder’s magisterial study of character. Its publication in a complete translation finally makes this foundational work available to English-language readers, thereby allowing it to have the impact it merits—alongside works by authors from Aristotle to E. M. Forster and Northrop Frye (or even above the works of these authors, none of whom devoted such learned and plenary attention to character). Eder’s book is not only erudite and theoretically astute but deeply illuminating in its interpretations. Moreover, such theoretical insights as his discrimination of four levels of character analysis are developed with such lucidity that I suspect most readers will find their own analyses of character have gained greatly in insight, simply because they have engaged with Eder’s book.
Patrick Colm Hogan
Board of Trustees Distinguished Professor at the University of Connecticut
Film Book of the Month ... We are dealing here with a fundamental work.
Hans Helmut Prinzler
Deutsche Kinemathek,,
Jens Eder is Professor of Dramaturgy and Aesthetics at Film University Babelsberg in Potsdam, Germany. His research focuses on the intersections of audiovisual media, narrative, and society. He has published books and articles on narrative theory, characters, emotions, political documentaries, video activism on social media, and image operations in societal conflicts. Currently he is heading the research group ‘Film as a Catalyst of Social Transformation’, which investigates the impact of engaged films.