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Copyright

Roshini Kempadoo

Published On

2019-03-08

Page Range

pp. 301-322

Print Length

21 pages

26. Urban Candy: Screens, Selfies and Imaginings

Chapter of: Women and Migration: Responses in Art and History(pp. 301–322)
Roshini Kempadoo’s ‘Urban Candy: Screens, Selfies and Imaginings’ explores the itinerant imagery of her art project Face Up for the appropriateness of its response to current neoliberal politics and popular media. Kempadoo questions how difference is viewed when focusing on the Black women’s body across the world.

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