Copyright
Anna Arabindan-KessonPublished On
2019-03-08Page Range
pp. 23-38Language
- English
Print Length
15 pages2. Fragments of Memory: Writing the Migrant’s Story
Reflecting on her journey from her birthplace in Sri Lanka to Australia, Anna Arabindan-Kesson’s essay ‘Fragments of Memory: Writing the Migrant’s Story’ looks at the relationship between her own experience of migration and the idea of memory as a form of narrative. She recalls the violent events of Sri Lanka’s ‘Black July’ in 1983 and how its legacies and impact have directly shaped her scholarship. She explores the power of photography as both a tool to reconstruct her early memories and as a way to reconnect her with her family’s past. She delves into the differences of her experience living in Australia compared to Sri Lanka and looks at this in the context of image-making, memory, beginnings, and endings.
Contributors
Anna Arabindan-Kesson
(author)Anna Arabindan-Kesson is an assistant professor of African American and Black Diasporic art with a joint appointment in the Departments of African American Studies and Art and Archaeology at Princeton University. Born in Sri Lanka, she completed undergraduate degrees in New Zealand and Australia, worked as a Registered Nurse in the UK and finally moved to the United States in 2007 to begin a PhD in African American Studies and Art History at Yale University. In her teaching and research, she focuses on African American, Caribbean, and British Art, with an emphasis on histories of race, empire, and transatlantic visual culture in the long nineteenth century. She is currently completing a book entitled The Currency of Cotton: Art, Empire and Commerce 1780–1900 examining processes of cultural exchange underpinned by histories of colonialism, and the legacies of these encounters in contemporary art practice. She has been the recipient of several fellowships, including from the Smithsonian American Art Museum, Winterthur Library, Museum and Gardens and the Paul Mellon Center for Research in British Art. She was awarded an ACLS Collaborative Research Fellowship along with Professor Mia Bagneris of Tulane University, to complete a book entitled Beyond Recovery: Reframing the Dialogues of Early African Diasporic Art and Visual Culture 1700–1900.