Copyright
Hans Walter GablerPublished On
2024-02-26ISBN
Language
- English
Print Length
458 pages (vi+452)Dimensions
Weight
Media
OCLC Number
1423523858LCCN
2023446249THEMA
- DSB
- DSBH
- PSAK
BIC
- DS
- DSK
- U
- DSBH
BISAC
- LIT024000
- LIT004130
- LIT024050
LCC
- PR6019.O9
Keywords
- James Joyce
- Composition analysis
- Genetic editing
- Joyce's Ulysses
- Literary analysis
Genetic Inroads into the Art of James Joyce
- Hans Walter Gabler (author)
Contents
Introduction
(pp. 1–10)- Hans Walter Gabler
- Hans Walter Gabler
- Hans Walter Gabler
James Joyce’s Dubliners Critical Edition 1993
(pp. 109–142)- Hans Walter Gabler
- Hans Walter Gabler
- Hans Walter Gabler
James Joyce’s Text in Progress
(pp. 197–220)- Hans Walter Gabler
The Rocky Road to Ulysses
(pp. 221–256)- Hans Walter Gabler
James Joyce’s Hamlet Chapter
(pp. 257–270)- Hans Walter Gabler
- Hans Walter Gabler
Emergence of James Joyce’s Dialogue Poetics
(pp. 315–346)- Hans Walter Gabler
- Hans Walter Gabler
Composing Penelope Towards the Condition of Music
(pp. 373–394)- Hans Walter Gabler
- Hans Walter Gabler
‘Love, yes. Word known to all men.’
(pp. 407–416)- Hans Walter Gabler
- Hans Walter Gabler
Contributors
Hans Walter Gabler
(author)Hans Walter Gabler is Professor (retired) of English Literature and Editorial Scholarship at the Ludwig Maximilians University of Munich, Germany, Senior Research Fellow of the Institute of English Studies, School of Advanced Study, London University, Doctor of Literature, honoris causa, from the National University of Ireland, Maynooth, and Honorary Trustee of the International James Joyce Foundation. He undertook, as editor-in-chief, the Critical and Synoptic Edition of James Joyce's Ulysses (1984), and the critical editions of Joyce's A Portrait of the Artist as a Young Man and Dubliners (both 1993). In Munich from 1996 to 2002, he directed an interdisciplinary graduate programme on “Textual Criticism as Foundation and Method of the Historical Disciplines.” From 2008 to 2010, he was Chair of the ESF-COST Action A32, "Open Scholarly Communities on the Web," and between 2014 and 2016 served as coordinator of a transatlantic research project “Diachronic Markup and Presentation Practices for Text Edition in Digital Research Environments”. Through his research on writing processes he seeks to advance theory and practice of the digital scholarly edition in a Digital Humanities environment. Editorial theory, genetic digital editing and genetic criticism have become the main focus of his professional writing. His 2018 collection of essays, Text Genetics in Literary Modernism and Other Essays, may be traced and read via https://www.openbookpublishers.com/books/10.11647/obp.0120