One must also recognize the amount of excellent work Blumson has done in order to, precisely, produce a very systematic, well-articulated and well-defended theory. An impressive list of objections is answered in an impressively detailed and rigorous way. This book is an excellent source of thought for anyone who is interested in depiction, and Blumson's comparison with the way language represents is both inspiring and compelling.
It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance.
It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description.
The National University of Singapore has generously contributed towards the publication of this volume.
Resemblance and Representation: An Essay in the Philosophy of Pictures
Ben Blumson | October 2014
x + 212 | 7 Black and White | 6.14" x 9.21" (234 x 156 mm)
ISBN Paperback: 9781783740727
ISBN Hardback: 9781783740734
ISBN Digital (PDF): 9781783740741
ISBN Digital ebook (epub): 9781783740758
ISBN Digital ebook (mobi): 9781783740765
DOI: 10.11647/OBP.0046
BIC subject codes: CFA (Philosophy of Language), HPN (Philosophy: aesthetics), HPM (Philosophy of Mind)
List of illustrations
Acknowledgements
Note on the text
1. Introduction
1.1 An ostensive definition of depiction
1.2 The analysis of resemblance as sharing properties
1.3 An intuitive taxonomy of representation
1.4 The methodology of analysis
1.5 Conclusion
2. Defining Depiction
2.1 Grice’s analysis of speaker meaning
2.2 The intended effect in Grice’s analysis
2.3 The salient feature in Grice’s analysis
2.4 Abell’s analysis of depiction
2.5 Conclusion
3. Depiction and Intention
3.1 Objections to the necessity of intention
3.2 Objections to the necessity of an audience
3.3 Objections to the sufficiency of intention
3.4 Objections to the necessity of reasons
3.5 Conclusion
4. Depiction and Convention
4.1 Goodman’s definition of symbol systems
4.2 Formal definition of languages
4.3 Lewis’ analysis of convention
4.4 Analysis of depictive symbol systems
4.5 Conclusion
5. Symbol Systems
5.1 Analysis of conventional language
5.2 Analysis of symbol systems in use
5.3 Depiction outside of symbol systems
5.4 Meaning outside conventional language
5.5 Conclusion
6. Depiction and Composition
6.1 Theories of representation
6.2 The finite axiomatization constraint
6.3 The mirror constraint
6.4 The structural constraint
6.5 Conclusion
7. Interpreting Images
7.1 Compositionality and language understanding
7.2 Compositionality and understanding pictures
7.3 Understanding pictures without compositionality
7.4 Understanding language without compositionality
7.5 Conclusion
8. Intentionality and Inexistence
8.1 Analysing depiction in intentional terms
8.2 Denying depiction is relational
8.3 Denying relations are between existents
8.4 Depiction of states of affairs
8.5 Conclusion
9. Perspective and Possibility
9.1 The possible worlds analysis of content
9.2 Centred properties and possible worlds
9.3 The two-dimensional analysis of content
9.4 Structured intensions and impossible worlds
9.5 Conclusion
10. Pictures and Properties
10.1 Predicate nominalism
10.2 Class nominalism
10.3 Scientific realism
10.4 Inegalitarian nominalism
10.5 Conclusion
References
Index
© 2014 Ben Blumson

Ben Blumson, Resemblance and Representation: An Essay in the Philosophy of Pictures. Cambridge, UK: Open Book Publishers, 2014, https://doi/10.11647/OBP.0046
Please see the list of illustrations below for attribution relating to individual images:
- A white sphere in front of a black sphere. From Jeff Ross (1997), Semantics of Media (Dordrecht: Kluwer), p. 73. © Kluwer. With kind permission from Springer Science and Business Media
- A black sphere in front of a white sphere. From Jeff Ross (1997), Semantics of Media (Dordrecht: Kluwer), p. 73. © Kluwer. With kind permission from Springer Science and Business Media
- A black sphere to the left, by Ben Blumson
- A black sphere to the right, by Ben Blumson
- A black sphere to the left from above, by Ben Blumson
- A black sphere to the right from above, by Ben Blumson
- An impossible triangle. Image from Wikimedia: http://commons.wikimedia.org/wiki/File:Pentriangle.svg