This biography examines the long life of the traveller and author Stephen Graham. Graham walked across much of the Tsarist Empire in the years before 1917, and his writings about his adventures helped to shape attitudes towards Russia in Britain and the US. In later years he travelled widely in Europe and America, meeting some of the best known writers of his day. Tracing Graham’s career as a world traveller, this book explores Graham’s heterodox and convoluted spiritual quest, while also providing a rich portrait of English, Russian and American literary life in the first half of the twentieth century.
Over the course of more than three centuries of Romanov rule in Russia, foreign visitors and residents produced a vast corpus of literature conveying their experiences and impressions of the country. Ranging chronologically from 1613 to 1917, this is the most comprehensive bibliography of first-hand accounts of Russia ever to be published. Providing full bibliographical details and concise but informative annotation for each entry, this substantial bibliography will be an invaluable tool for anyone with an interest in contacts between Russia and the West during the centuries of Romanov rule.
This book investigates the role played by Scandinavian scholars in inventing this so-called superior race, and discusses how this concept put its stamp on Norwegian physical anthropology, prehistory, national identity, and on the Norwegian eugenics movement. It also explores the decline and scientific disputation of these ideas in the 1930s as they came to be associated with the ‘genetic cleansing’ of Nazi Germany.
This is the first comprehensive study on Norwegian physical anthropology, and its findings shed new light on current political and scientific debates about race across the globe.
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval.
This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia.
From the mid-sixteenth to the mid-nineteenth century Russia was transformed from a moderate-sized, land-locked principality into the largest empire on earth. How did systems of information and communication shape and reflect this extraordinary change? Information and Mechanisms of Communication in Russia, 1600-1850 brings together a range of contributions to shed some light on this complex question. More than a series of institutional histories, this book is concerned with the way Russia discovered itself, envisioned itself and represented itself to its people.
Life Histories of Etnos Theory in Russia and Beyond makes a powerful argument for reconsidering the importance of etnos in our understanding of ethnicity and national identity across Eurasia. The collection brings to life a rich archive of previously unpublished letters, fieldnotes, and photographic collections of the theory’s early proponents.
Originally written in Yiddish and here skillfully translated and introduced by Maurice Wolfthal, The Pogroms in Ukraine, 1918-19 brings to light a terrible and historically neglected series of persecutions that foreshadowed the Holocaust by twenty years. It is essential reading for academics and students in the fields of human rights, Jewish studies, Russian and Soviet studies, and Ukraine studies.
This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how reading against linear chronologies can elicit fascinating new patterns and perspectives.