Copyright

Jennifer Goodlander

Published On

2026-08-27

Language

  • English

Print Length

22 pages

THEMA

  • JBSF1
  • D
  • AFKP
  • 1FMN
  • 5TFK

BISAC

  • SOC028000
  • LIT004290
  • ART019020
  • ART057000
  • ART060000

Keywords

  • women
  • literature
  • performance
  • film
  • Global Asia
  • Indonesia

Introduction

Trespassing Across a Man's World

In The Adventures of Na Willa, a short collection of stories for children by Reda Gaudiama, the title character is a young multicultural girl growing up in the 1960s in a village in Indonesia. I start with her story to explore the idea of women’s literature as an adventure that engages with and depends on travel. Until she left her home to go to school, Na Willa could not escape the limitations of her gender and her ethnicity. Travel gave her freedom to trespass outside other's expectations and limitations.The rest of the introduction establishes stakes and methods of trespassing. After a brief introduction to the context of Indonesia and Indonesian women, I focus on defining "trespassing" as a subject and method. Finally, I will introduce how women artists and authors have often been received as either lesser and/or tokens of national rhetoric about gender equality to establish the stakes of the work by women that are the focus of my book. Like Na Willa, travel in their lives and work creates adventures of empowerment and identity.

Contributors

Jennifer Goodlander

(author)
Associate Professor in the Department of Theatre and Drama at Indiana University Bloomington
Director of the Southeast Asian and ASEAN Studies Program at Indiana University Bloomington

Jennifer Goodlander is an Associate Professor at Indiana University-Bloomington in the Department of Theatre and Drama and also Director of the Southeast Asian and ASEAN Studies Program. Jennifer has published numerous articles and two books: Women in the Shadows: Gender, Puppets, and the Power of Tradition in Bali (Ohio University Press, 2016) and Puppets and Cities: Articulating Identities in Southeast Asia (Bloomsbury Methuen Drama, 2018). Jennifer remains active as a theatre director and puppeteer and has performed Balinese wayang kulit, or shadow puppetry, at international festivals and around the United States.