Copyright

Yankev Leshchinsky

Published On

2024-09-16

Page Range

pp. 115–120

Language

  • English
  • Yiddish

Print Length

6 pages

6. The first ghetto bench in the universities

  • Yankev Leshchinsky (author)
  • Robert Brym (translator)
  • Eli Jany (translator)
Beginning at Lvov Polytechnic in 1935, Jews were assigned segregated seating in what were called “ghetto benches” and separate rooms for laboratory work. The practice soon spread to other institutions of higher education. Some Jewish students stand rather than move to segregated places. Some are dragged away and beaten. Others are expelled. Some classes are cancelled when Jewish students refuse to sit on ghetto benches. Most professors do nothing to stop such actions. 18 April 1936.

Contributors

Yankev Leshchinsky

(author)

Robert Brym

(translator)
SD Clark Professor of Sociology Emeritus at University of Toronto
Associate of the Centre for Jewish Studies at University of Toronto

Robert Brym, FRSC, is SD Clark Professor of Sociology Emeritus and an Associate of the Centre for Jewish Studies at the University of Toronto. His latest works include Robert Brym and Randal Schnoor, eds, The Ever-Dying People? Canada’s Jews in Comparative Perspective (Toronto: University of Toronto Press, 2023) and “Jews and Israel 2024: Canadian Attitudes, Jewish Perceptions,” Canadian Jewish Studies/Études Juives Canadiennes (38: 2024), 6–89. For downloads of Brym’s published work, visit https://utoronto.academia.edu/RobertBrym

Eli Jany

(translator)
PhD student at University of Toronto

Eli Jany is a PhD student in the Department of Germanic Languages and Literatures and the Centre for Jewish Studies at the University of Toronto. He has translated poems by Sarah Reisen (In geveb, 12 May 2020, https://ingeveb.org/texts-and-translations/three-poems-reisen) and, with Robert Brym, co-translated volume 1 of The Last Years of Polish Jewry and “Jewish Economic Life in Yiddish Literature: Yitskhok Ber Levinzon and Yisroel Aksenfeld,” East European Jewish Affairs (53, 1: 2024), both by Yankev Leshchinsky.