Göran Andersson has worked as a dance pedagogue and archivist, and as an archivist he has established a dance archive. He has worked with historical dances for a long time, both theoretically and in practice, and he has taught historical dances as well. He has written several articles and books about Swedish dance, mainly from a historical perspective.
Elizabeth Svarstad PhD is an Assistant Professor in baroque dance at The Norwegian Academy of Music. She holds a Master of Arts and a PhD in dance studies from The Norwegian University for Science and Technology. Educated dancer from The Norwegian Academy of Ballet, she works as a dancer, choreographer and teacher and has participated in and created a vaste number of performances in Norway and abroad. Among her research articles are 'Traces of Dance and Social Life: A Dance Book and its Context' in Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860. Questioning Canons, edited by Randi Margrete Selvik, Svein Gladsø and Annabella Skagen. London: Routledge, 2021, and 'Dance and Social Education in Early Nineteenth-Century Christiania' in Performing Arts in Changing Societies edited by Randi Margrete Selvik, Svein Gladsø and Anne Margrete Fiskvik /Taylor and Francis, 2020), 'Kort Udtog: A Danish Translation of Gottfried Taubert’s Kurtzer Entwurff Der Nutzbarkeit Des Künstlichen Tantz-EXERCITII (1727) ' in Tauberts Rechtschaffener Tantzmeister (Leipzig 1717) edited by Hanna Walsdorf, Marie-Thérèse Mourey, and Tilden Russell (Verlag Frank & Timme, 2019), and Svarstad, Elizabeth, and Nygaard, Jon. 'A Caprice – The Summit of Ibsen's Theatrical Career' in Ibsen Studies 16, no. 2 (2016): 168–85.