Copyright
Liliane Campos; Pierre-Louis Patoine;Published On
2022-10-11ISBN
Language
- English
Print Length
418 pages (xvi+402)Dimensions
Weight
Media
Funding
- Sorbonne Nouvelle University
- Programme: PRISMES laboratory
LCCN
2021386012BIC
- DS
- DSK
- FA
- DSB
- PS
- RNT
- AFKP
BISAC
- LIT000000
- SCI020000
- SCI008000
- ART060000
LCC
- PN55
Keywords
- life sciences
- fiction
- poetry
- comics
- performance
- ethics
- philosophy
- politics
- biological imagination
Life, Re-Scaled
The Biological Imagination in Twenty-First-Century Literature and Performance
- Liliane Campos (editor)
- Pierre-Louis Patoine (editor)
This edited volume explores new engagements with the life sciences in contemporary fiction, poetry, comics and performance. The gathered case studies investigate how recent creative work reframes the human within microscopic or macroscopic scales, from cellular biology to systems ecology, and engages with the ethical, philosophical, and political issues raised by the twenty-first century’s shifting views of life. The collection thus examines literature and performance as spaces that shape our contemporary biological imagination.
Comprised of thirteen chapters by an international group of academics, Life, Re-Scaled: The Biological Imagination in Twenty-First-Century Literature and Performance engages with four main areas of biological study: ‘Invisible scales: cells, microbes and mycelium’, ‘Neuro-medical imaging and diagnosis’, ‘Pandemic imaginaries’, and ‘Ecological scales’. The authors examine these concepts in emerging forms such as plant theatre, climate change art, ecofiction and pandemic fiction, including the work of Jeff Vandermeer, Jon McGregor, Jeff Lemire, and Extinction Rebellion’s Red Rebel Brigade performances.
This valuable resource moves beyond the biological paradigms that were central to the nineteenth and twentieth centuries, to outline the specificity of a contemporary imagination. Life, Re-Scaled is crucial reading for academics, scholars, and authors alike, as it proposes an unprecedented overview of the relationship between literature, performance and the life sciences in the twenty-first century.
Endorsements
This collection expands our vision of the relationship between the life sciences and literature, allowing the reader to unearth connections between topics from ecology to neuroscience and media from poetry to performance art. Thirteen elegantly written chapters demonstrate how life becomes a matter of concern in the 21st century.
Prof Rebecca Wilbanks
Reviews
Life, Re-Scaled provides much-needed rigorous analyses of the affective and aesthetic potentials of literature and performance to engage with, and attend to, the heterogenous scales of life across microbiological and planetary scales [...] What is particularly salient about Life, Re-Scaled is that it includes methodologies in which science and art are not domains that merely influence each other: the contributors explore the “cross-currents” and “cross fertilizing of imaginaries” across contemporary artistic work, cultural representational popularizations of the life sciences, and philosophy.
Dr Sarah Hopfinger
Performing Arts Journal, 2024. doi:10.1162/pajj_r_00704
Additional Resources
Contents
1. Introduction
(pp. 1–38)- Liliane Campos
- Pierre-Louis Patoine
- Paul Hamann-Rose
- Sophie Laniel-Musitelli
- Derek Woods
5. To Be or Not to Be a Patient: Challenging Biomedical Categories in Joshua Ferris’s The Unnamed
(pp. 123–146)- Pascale Antolin
6. Neurocomics and Neuroimaging: David B.’s Epileptic and Matteo Farinella and Hana Roš’s Neurocomic
(pp. 147–180)- Jason Tougaw
- Rishi Goyal
- Kristin M. Ferebee
9. Depopulating the Novel: Post-Catastrophe Fiction, Scale, and the Population Unconscious
(pp. 229–258)- Pieter Vermeulen
- Ben De Bruyn
- Susan Squier
- Kirsten E. Shepherd-Barr
- Hannah Simpson
13. Staging Larger Scales and Deep Entanglements: The Choice of Immersion in Four Ecological Performances
(pp. 353–377)- Eliane Beaufils
Contributors
Liliane Campos
(editor)Liliane Campos is a Lecturer in English and Theatre Studies at the Sorbonne Nouvelle and a research fellow of the Institut Universitaire de France. Her research explores ways in which contemporary novelists, poets, and performers engage with the images and discourse of biology. She is the author of The Dialogue of Art and Science in Tom Stoppard's Arcadia (2011) and Sciences en scène dans le théâtre britannique contemporain (2012). She has co-edited special issues of Epistémocritique, Alternatives théâtrales, and Sillages Critiques, the collective volume Lectures de Tom Stoppard: Arcadia (2011), and conference proceedings, Living Matter / Literary Forms (20th-21st centuries) on www.fabula.org. Her essays on contemporary fiction have appeared in Textual Practice, Etudes Britanniques Contemporaines and Modern Fiction Studies.
Pierre-Louis Patoine
(editor)Pierre-Louis Patoine is Assistant Professor of American Literature at Sorbonne Nouvelle University, co-director of the Science/Literature research group (litorg.hypotheses.org) and co-editor of the journal Epistemocritique. He has published a monograph on the role of the empathic, physiological body in the experience of reading (2015), co-edited collections on David Foster Wallace (2017) and Ursula K. Le Guin (2021), and articles exploring biosemiotic, ecocritical and neuroaesthetic approaches to immersion and altered states of consciousness, virality, planetary life, postmodern speciation and anthropocenic acceleration in the work of Ursula K. Le Guin, William S. Burroughs, J. G. Ballard, Kim S. Robinson and Frank Herbert.