Copyright

Natalie Loveless

Published On

2021-04-29

Page Range

pp. 277-279

Language

  • English

Print Length

2 pages

Art and/in the Anthropocene

The following forum emerges from a panel called Art and/in the Anthropocene: A Debate on Sustainability and Ecology that was co-organized by Natalie Loveless and Jessie Beier for the Kule Institute for Advanced Study’s Around the World e-Conference in May of 2018. The conference panel invited discussion by six artist-scholars in addition to the organizers – Karin Bolender, Christa Donner, Mia Feuer, Leanne Olson, Scott Smallwood and Andrew Yang. Together they discussed two pre-circulated questions: one on sustainability and one on ecological form. Organized and edited by Loveless, the contributions in this forum respond to these questions. Yang argues for systems thinking in the context of art and ecology; Bolender considers multispecies care practices; Donner makes a plea for intergenerational empathy and collective problem-solving; Olson examines our disavowed relations to waste; Smallwood grapples with problems of representing the Anthropocene; Beier reflects, in a speculative-fictive form, on the folly of attempting to sustain our current ways of living and dying; and Loveless concludes with a reflection on art, ecological form and climate justice ethics. Together these short essays invite the reader to consider the role of art in creating new conditions for climate justice thinking and action.

Contributors

Natalie Loveless

(author)
Associate Professor, Contemporary Art and Theory at University of Alberta

Natalie S. Loveless is Associate Professor, Contemporary Art and Theory, at the University of Alberta, where she directs the Research-Creation and Social Justice CoLABoratory and co-leads the Faculty of Arts' Signature Area in Research-Creation. Loveless is author of How to Make Art at the End of the World: A Manifesto for Research-Creation (Duke UP 2019), editor of Knowings and Knots: Methodologies and Ecologies in Research-Creation (University of Alberta Press 2019), and co-editor of Responding to Site: The Performance Work of Marilyn Arsem (Intellect Press 2020). Loveless has held fellowships and visiting positions in the Centre for Interdisciplinary Studies in Society and Culture (CISSC) at Concordia University (Montreal), the Centre for the Humanities at the University of Utrecht, and Western University (London, Ontario). In 2020 she was elected to the Royal Society of Canada (College of New Scholars, Artists, and Scientists) for her scholarship at the intersection of research-creation and social and ecological justice.