Copyright
Thibaut d’HubertPublished On
2015-10-05Page Range
pp. 423-444Language
- English
Print Length
21 pages16. Patterns of Composition in the Seventeenth-Century Bengali Literature of Arakan
- Thibaut d’Hubert (author)
This essay on the role of performance in the 17th-century Bengali panchali poetry of Aloal introduces a form of poetic performance that is little known outside of Bengali-speaking parts of India. D’Hubert provides a model for how texts can be enriched through consideration of how they unfolded in performance.
Contributors
Thibaut d’Hubert
(author)Thibaut d'Hubert is assistant professor at the University of Chicago where he teaches Bengali language and literature in the Department of South Asian Languages and Civilizations. His main field of research is the literary history of Bengal. His research interests include Indic and Persian poetics, the editing of premodern Bengali texts, the study of scribal practices, South Asian traditional hermeneutics, and the history of translation. He is currently working on a book project on the Bengali poet Alaol (fl.1651-1671) and the formation of vernacular Muslim literatures around the Bay of Bengal (c. sixteenth–seventeenth centuries). With Alexandre Papas (CNRS/CETOBAC, Paris), he is preparing a handbook on the reception of the works of the Persian polymath of Herat 'Abd al-Rahman Jami (1414-1492) based on material presented by various scholars during two conferences held in Chicago (2012) and Paris (2013).