This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors.
Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age.
Written in Gabler’s fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.
Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age.
Written in Gabler’s fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.
Text Genetics in Literary Modernism and Other Essays
Hans Walter Gabler | February 2018
410 | 46 colour illustrations | 6.14" x 9.21" (234 x 156 mm)
ISBN Paperback: 9781783743636
ISBN Hardback: 9781783743643
ISBN Digital (PDF): 9781783743650
ISBN Digital ebook (epub): 9781783743667
ISBN Digital ebook (mobi): 9781783743674
ISBN Digital (XML): 9781783744879
DOI: 10.11647/OBP.0120
Subject codes, BIC: DS (Literature: history and criticism), DSK (Literary studies: fiction, novelists and prose writers), U (Computing and information technology); BISAC: LIT024000 (LITERARY CRITICISM / Modern), LIT004130 (LITERARY CRITICISM / European), COM087000 (COMPUTERS / Digital Media)
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Foreword
1. The Rocky Road to Ulysses
2. ‘He chronicled with patience’: Early Joycean Progressions Between Non-Fiction and Fiction
3. James Joyce Interpreneur
4. Structures of Memory and Orientation: Steering a Course Through Wandering Rocks
5. Editing Text—Editing Work
6. Theorizing the Digital Scholarly Edition
7. Thoughts on Scholarly Editing
8. Beyond Author-Centricity in Scholarly Editing
9. Sourcing and Editing Shakespeare: The Bibliographical Fallacy
10. The Draft Manuscript as Material Foundation for Genetic Editing and Genetic Criticism
11. A Tale of Two Texts: Or, How One Might Edit Virginia Woolf’s To the Lighthouse
12. Auto-Palimpsests: Virginia Woolf’s Late Drafting of Her Early Life
13. From Memory to Fiction: An Essay in Genetic Criticism
14. Johann Sebastian Bach’s Two-Choir Passion
15. Argument into Design: Editions as a Sub-Species of the Printed Book
16. Cultural versus Editorial Canonising: The Cases of Shakespeare, of Joyce
Bibliography
Acknowledgments
List of Illustrations
Index
© Hans Walter Gabler

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Hans Walter Gabler, Text Genetics in Literary Modernism and Other Essays. Cambridge, UK: Open Book Publishers, 2018. https://doi.org/10.11647/OBP.0120
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Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
Cover image: The Milton manuscript (17th century). Image courtesy and copyright Master and Fellows, Trinity College, Cambridge, CC BY-NC 4.0.