In a world where new technologies are being developed at a dizzying pace, how can we best approach oral genres that represent heritage? Taking an innovative and interdisciplinary approach, this volume explores the idea of sharing as a model to construct and disseminate the knowledge of literary heritage with the people who are represented by and in it.
Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture.
This timely and necessary collection also examines to what extent digital documents can be and have been institutionalised in archives and museums, how digital heritage can remain free from co-option by hegemonic groups, and the roles that exist for community voices.
A valuable contribution to a fast-developing field, this book is required reading for scholars and students in the fields of heritage, anthropology, linguistics, history and the emerging disciplines of multi-media documentation and analysis, as well as those working in the field of literature, folklore, and African studies. It is also important reading for museum and archive curators.
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Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture.
This timely and necessary collection also examines to what extent digital documents can be and have been institutionalised in archives and museums, how digital heritage can remain free from co-option by hegemonic groups, and the roles that exist for community voices.
A valuable contribution to a fast-developing field, this book is required reading for scholars and students in the fields of heritage, anthropology, linguistics, history and the emerging disciplines of multi-media documentation and analysis, as well as those working in the field of literature, folklore, and African studies. It is also important reading for museum and archive curators.
Searching for Sharing is the seventh volume in our World Oral Literature Series. The Series is produced in conjunction with the World Oral Literature Project.
The University of Leiden has generously contributed to the publication of this volume.
Searching for Sharing: Heritage and Multimedia in Africa
Edited by Daniela Merolla and Mark Turin | May 2017
158 | 4 colour illustrations | 2 embedded videos | 6.14" x 9.21" (234 x 156 mm)
World Oral Literature Series, vol. 7 | ISSN: 2050-7933 (Print); 2054-362X (Online)
ISBN Paperback: 9781783743186
ISBN Hardback: 9781783743193
ISBN Digital (PDF): 9781783743209
ISBN Digital ebook (epub): 9781783743216
ISBN Digital ebook (mobi): 9781783743223
The University of Leiden has generously contributed to the publication of this volume.
The PDF and epub editions of this book contain embedded videos. If your device supports MP4 files you will be watch the videos directly. Alternatively, you can access them online by following the links or scanning the QR codes provided. To read the interactive PDF, we suggest using Adobe Reader (and not Adobe Preview), which can be downloaded for free from the Adobe website. If you are reading on an iphone or ipad, we recommend using iBooks, which is available free of charge from the App Store.
Searching for Sharing: Heritage and Multimedia in Africa
Edited by Daniela Merolla and Mark Turin | May 2017
158 | 4 colour illustrations | 2 embedded videos | 6.14" x 9.21" (234 x 156 mm)
World Oral Literature Series, vol. 7 | ISSN: 2050-7933 (Print); 2054-362X (Online)
ISBN Paperback: 9781783743186
ISBN Hardback: 9781783743193
ISBN Digital (PDF): 9781783743209
ISBN Digital ebook (epub): 9781783743216
ISBN Digital ebook (mobi): 9781783743223
ISBN Digital (XML): 9781783744183
DOI: 10.11647/OBP.0111
Subject codes, BIC: JHMC (Social and cultural anthropology, ethnography), UG (Graphical and digital media applications), 2H (African languages), JHBT (Sociology: customs and traditions); BISAC: SOC002010 (Cultural & Social anthropology), LAN025060 (Library & Information Science / Digital & Online Resources), LIT004010 (Literary criticism / African), SOC005000 (Social science / Customs & Traditions)
Subject codes, BIC: JHMC (Social and cultural anthropology, ethnography), UG (Graphical and digital media applications), 2H (African languages), JHBT (Sociology: customs and traditions); BISAC: SOC002010 (Cultural & Social anthropology), LAN025060 (Library & Information Science / Digital & Online Resources), LIT004010 (Literary criticism / African), SOC005000 (Social science / Customs & Traditions)
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Notes on Contributors
Introduction
Daniela Merolla
1. The Mara Cultural Heritage Digital Library: The Implications of the Digital Return of Oral Tradition
Jan Bender Shetler
2. Technauriture as a Platform to Create an Inclusive Environment for the Sharing of Research
Russell H. Kaschula
3. From Restitution to Redistribution of Ewe Heritage: Challenges and Prospects
Kofi Dorvlo
4. YouTube in Academic Teaching: A Multimedia Documentation of Siramori Diabaté’s Song "Nanyuman”
Brahima Camara, Graeme Counsel and Jan Jansen
5. New Electronic Resources for Texts in Manding Languages
Valentin Vydrin
6. Questioning "Restitution”: Oral Literature in Madagascar
Brigitte Rasoloniaina and Andriamanivohasina Rakotomalala
Afterword: Sharing Located
Mark Turin
© 2017 Daniela Merolla and Mark Turin.
Copyright of each chapter is maintained by the author.
Copyright of each chapter is maintained by the author.

This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information:
Daniela Merolla and Mark Turin (eds.). Searching For Sharing: Heritage and Multimedia in Africa. Cambridge, UK: Open Book Publishers, 2017, https://doi.org/10.11647/OBP.0111
Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/
Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
The PDF and epub editions of this book contain embedded video files. If
your reading device supports MP4 you will be able to watch the videos directly. If your device doesn't support this format, or if you are reading the printed version, you can access the two videos below.
Chapter 2: Russell H. Kaschula, 'Technauriture as a Platform to Create an Inclusive Environment for the Sharing of Research'.
Extract from the 1992 interview with Joan Broster. Duration: 7.40 minutes. The video file is available here.
Chapter 2: Russell H. Kaschula, 'Technauriture as a Platform to Create an Inclusive Environment for the Sharing of Research'.
Extract from the 1992 interview with Joan Broster. Duration: 7.40 minutes. The video file is available here.
Chapter 6: Brigitte Rasoloniaina and Andriamanivohasina Rakotomalala, 'Questioning "Restitution": Oral Literature in Madagascar'.
Extract taken from the first movie of the trilogy Le culte de Ranavalona à Anosimanjaka (2014), 290 minutes, shot between 1996 and 2009 in Anosimanjaka, Madagascar. Producer: Andriamanivohasina Rakotomalala. Duration: 7.40 minutes. The video file is available at https://youtu.be/Cu5p1iPu-yQ