Contents
Notes on Contributors |
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Introduction |
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SECTION I: Colonial Contact |
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1. |
Listening as an Innu-French Contact Zone in the Jesuit Relations |
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2. |
Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain |
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3. |
Performance in the Periphery: Colonial Encounters and Entertainments |
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SECTION II: Contact and Captivity |
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4. |
‘Hideous Acclamations’: Captive Colonists, Forced Singing, and the Incorporation Imperatives of Mohawk Listeners |
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5. |
Black Atlantic Acoustemologies and the Maritime Archive |
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6. |
Little Black Giovanni’s Dream: Black Authorship and the ‘Turks, and Dwarves, the Bad Christians’ of the Medici Court |
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SECTION III: Textual Contact |
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7. |
A Global Phonographic Revolution: Trans-Eurasian Resonances of Writing in Early Modern France and China |
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SECTION IV: Mediterranean Contact |
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8. |
‘La stiava dolente in suono di canto’: War, Slavery, and Difference in a Medici Court Entertainment |
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9. |
‘Now Despised, a Servant, Abandoned’: Wounded Italy, the Moresca, and the Performance of Alterity |
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10. |
‘Non basta il suono, e la voce’: Listening for Tasso’s Clorinda |
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Bibliography |
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List of illustrations |
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Index |