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For the editions and translations of the Bible, see individual chapters.

Adorno, Theodor W., Introduction to the Sociology of Music, trans. by E. B. Ashton (New York: Continuum, 1989).

Allison, John, Edward Elgar: Sacred Music (Bridgend: Seren, 1994).

Alter, Robert, ‘How Convention Helps Us Read: The Case of the Bible’s Annunciation Type-Scene’, Prooftexts 3 (1983), 115–30.

Ammerman, Nancy Tatom, Sacred Stories Spiritual Tribes: Finding Religion in Everyday Life (Oxford: Oxford University Press, 2013).

—, ‘Spiritual but Not Religious? Beyond Binary Choices in the Study of Religion’, Journal for the Scientific Study of Religion, 52 (2013), 258–78.

Aquinas, Thomas, Summa Theologica, trans. by the English Dominican Province, 5 vols. (Notre Dame, IN: Ave Maria Press, 1981).

Arnold, Jonathan, Sacred Music in Secular Society (Farnham: Ashgate, 2014).

Ashmon, Scott A., Birth Annunciations in the Hebrew Bible and Ancient Near East: A Literary Analysis of the Forms and Functions of the Heavenly Foretelling of the Destiny of a Special Child (Lewiston, NY: Edwin Mellen Press, 2012).

Atkins, E. Wulstan, The Elgar–Atkins Friendship (Newton Abbot: David and Charles, 1984).

Auden, W. H., ‘Yeats as an Example’, Kenyon Review, 10 (1948), 187–95.

Augustine, The City of God, trans. by Marcos Dods (New York: The Modern Library, 1950).

—, Confessions, trans. by R. S. Pine-Coffin (London: Penguin, 1961).

—, On Christian Teaching, trans. by R. P. H. Green (Oxford: Oxford University Press, 2008).

Beal, Gregory K., Handbook on the New Testament Use of the Old Testament: Exegesis and Interpretation (Grand Rapids, MI: Baker Academic, 2012).

Beard, David, and Kenneth Gloag (eds.), Musicology: The Key Concepts (London: Routledge, 2005).

Begbie, Jeremy, ‘Created Beauty: The Witness of J.S. Bach’, in The Beauty of God: Theology and the Arts, ed. by Daniel J. Treier, Mark Husbands and Roger Lundin (Downers Grove, IL: InterVarsity Press, 2007), pp. 19–44.

—, Music, Modernity and God: Essays in Listening (Oxford: Oxford University Press, 2013).

—, ‘Openness and Specificity: A Conversation with David Brown on Theology and Classical Music’, in Theology, Aesthetics and Culture: Responses to the Work of David Brown, ed. by Robert MacSwain and Taylor Worley (Oxford: Oxford University Press, 2012), pp. 145–56.

—, A Peculiar Orthodoxy: Reflections on Theology and the Arts (Grand Rapids, MI: Baker Academic, 2018).

—, Redeeming Transcendence in the Arts: Bearing Witness to the Triune God (Grand Rapids, MI: Eerdmans, 2018).

—, and Steven R. Guthrie (eds.), Resonant Witness: Conversations between Music and Theology (Grand Rapids, MI: Eerdmans, 2011).

—, Resounding Truth: Christian Wisdom in the World of Music (Grand Rapids, MI: Baker Academic, 2007).

—, (ed.), Sounding the Depths: Theology Through the Arts (London: SCM Press, 2002).

—, Theology, Music and Time (Cambridge: Cambridge University Press, 2000)

Benedict XVI, Pope, Summorum Pontificum: On the Use of the Roman Liturgy Prior to the Reform of 1970 (7 July, 2007),

Bennett, Jane, The Enchantment of Modern Life: Attachments, Crossings, and Ethics (Princeton, NJ: Princeton University Press, 2001).

Blakeman, Edward, The Faber Pocket Guide to Handel (London: Faber & Faber, 2009).

Blanning, Tim, The Triumph of Music: Composers, Musicians and their Audiences, 1700 to the Present (Harmondsworth: Penguin, 2008).

Blond, Philip, Post-Secular Philosophy: Between Philosophy and Theology (London: Routledge, 1998).

Boden, Anthony, Three Choirs: A History of the Festival – Gloucester, Hereford, Worcester (Stroud: Alan Sutton, 1992).

Bohlman, Philip, ‘Is All Music Religious?’ in Theomusicology — A Special Issue of Black Sacred Music: A Journal of Theomusicology, ed. by Jon Michael Spencer (Durham, NC: Duke University Press, 1994), pp. 3–12.

—, ‘Music Inside Out: Sounding Public Religion in a Post-Secular Europe’, in Music, Sound and Space: Transformations of Public and Private Experience, ed. by Georgina Born (Cambridge: Cambridge University Press, 2013), pp. 205–23.

Bonaventure, Breviloquium, trans. with notes by Dominic V. Monti (St Bonaventure, NY: Franciscan Institute Publications, 2005).

—, Commentary on the Gospel of Luke, trans. and ed. by Robert J. Karris (St Bonaventure, NY: Franciscan Institute Publications, 2001–2004).

—, Doctoris Seraphici S. Bonaventurae Opera Omnia, 10 vols. (Quarrachi: Collegium S. Bonaventurae, 1882–1902).

Bonds, Mark Evan, Music as Thought: Listening to the Symphony in the Age of Beethoven (Princeton, NJ: Princeton University Press, 2006).

Bosco, Mark, ‘Georges Bernanos and Francis Poulenc: Catholic Convergences in Dialogues of the Carmelites’, Logos, 12 (Spring 2009), 17–39.

Bougerol, Jacques Guy, ‘Bonaventure as Exegete’, in A Companion to Bonaventure, ed. by Jay M. Hammon and others (Leiden and Boston: Brill, 2014), pp. 168–74.

Boyce-Tillman, June, Constructing Musical Healing: The Wounds that Sing (London: Jessica Kingsley, 2000).

—, Experiencing Music – Restoring the Spiritual: Music as Well Being (Oxford: Oxford University Press, 2016).

Brenner, Athalya, ‘Female Social Behaviour: Two Descriptive Patterns within the “Birth of the Hebrew” Paradigm’, Vetus Testamentum, 36 (1986), 257–73.

Brown, Callum G., ‘Men Losing Faith: The Making of Modern No-Religionism in the UK, 1939–2010’, in Men, Masculinities and Religious Change in Twentieth Century Britain, ed. by Lucy Delap and Sue Morgan (Basingstoke: Palgrave Macmillan, 2013), pp. 301–25.

Brown, David, Divine Generosity and Human Creativity: Theology through Symbol, Art and Architecture, ed. by Christopher R. Brewer and Robert MacSwain (London: Routledge, 2017).

—, and Gavin Hopps (eds.), The Extravagance of Music (London: Bloomsbury, 2018).

—, God and Enchantment of Place: Reclaiming Human Experience (Oxford: Oxford University Press, 2004).

—, God and Grace of Body: Sacrament in Ordinary (Oxford: Oxford University Press, 2007).

—, God and Mystery in Words: Experience through Metaphor and Drama (Oxford: Oxford University Press, 2008).

Brown, Raymond E., The Birth of the Messiah: A Commentary on the Infancy Narratives in the Gospels of Matthew and Luke, AB Reference Library (New York: Doubleday, 1993).

Brueggemann, Walter, First and Second Samuel (Louisville, KY: Westminster John Knox Press, 2012).

Buckley, R. J., Sir Edward Elgar (London: The Bodley Head, 1905).

Bull, Michael, Sound Moves: iPod Culture and Urban Experience (New York: Routledge, 2007).

Burch Brown, Frank, Good Taste, Bad Taste and Christian Taste: Aesthetics in Religion Life (Oxford: Oxford University Press, 2000).

—, Inclusive yet Discerning: Navigating Worship Artfully (Grand Rapids, MI: Eerdmans, 2009).

—, ‘Preface’, in Brown and Hopps (eds.), The Extravagance of Music, pp. v-xvii.

—, Religious Aesthetics: A Theological Study of Making and Meaning (Princeton: Princeton University Press, 1989).

Burney, Charles, An Account of the Musical Performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June the 3rd, and 5th, 1784. In Commemoration of Handel (London: T. Payne and Son and G. Robinson, 1785),

Burton, Richard D. E., Outlines: Francis Poulenc (Bath: Absolute Press, 2002).

Butler, Christopher, ‘Innovation and the avant-garde, 1900–1920’, in The Cambridge History of Twentieth-Century Music, ed. by Nicholas Cook and Anthony Pople (Cambridge: Cambridge University Press, 2004), pp. 69–80.

Butler, Judith, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1999).

Butt, John, ‘Roman Catholicism and Being Musically English: Elgar’s Church and Organ Music’, in The Cambridge Companion to Elgar, ed. by Daniel M. Grimley and Julian Rushton (Cambridge: Cambridge University Press, 2004), pp. 106–19.

Butzkamm, Aloys, Ein Tor zum Paradies. Kunst und Theologie auf der Bronzetür des Hildesheimer Doms (Paderborn: Bonifatius, 2004).

Cameron, Jasmin, The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800 (Lanham, MD: Scarecrow Press, 2006).

The Canons and Decrees of the Council of Trent, trans. H. Schroeder (St Louis, IL: Herder, 1941).

Catechism of the Catholic Church (Rome: Urbi et Orbi Communications, 1994).

Chapman, Stephen B., 1 Samuel as Christian Scripture: A Theological Commentary (Grand Rapids, MI: Eerdmans, 2016).

Chesterton, G. K., William Blake (New York: Cosimo Classics, 2005).

Chua, Daniel K. L., ‘Music as the Mouthpiece of Theology’, in Begbie and Guthrie (eds.), Resonant Witness, pp. 137–61.

Clark, Caryl, ‘Forging Identity: Beethoven’s “Ode” as European Anthem’, Critical Inquiry, 23 (1997), 789–807.

Clines, David J. A. (ed.), The Dictionary of Classical Hebrew (Sheffield: Sheffield Academic Press, 1993).

Cogan, Mordechai, I Kings: A New Translation with Introduction and Commentary (New Haven, CT and London: Yale University Press, 2008).

Cole, Bruce, and Adelheid Gehalt, with an introduction by Michael Wood, Art of the Western World: From Ancient Greece to Post-Modernism (London: Simon & Schuster Paperbacks, 1989).

Cook, Nicholas, ‘Classical Music and the Politics of Space’, in Music, Sound and Space: Transformations of Public and Private Experience, ed. by Georgina Born (Cambridge: Cambridge University Press, 2013), pp. 224–38.

Corbett, George, ‘TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music’, Religions, 9.1 (2018), 7, 1-18 (Special Issue: Music: Its Theologies and Spiritualities – A Global Perspective).

Cottingham, John, The Spiritual Dimension: Religion, Philosophy and Human Value (Cambridge: Cambridge University Press, 2005).

Cullen, Christopher, Bonaventure (Oxford: Oxford University Press, 2006).

Cusic, Don, ‘Catholics and Contemporary Christian Music’, in Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship, ed. by Don Cusic (Santa Barbara, CA: Greenwood Press, 2010), pp. 45–47.

Dahlhaus, Carl, The Idea of Absolute Music, trans. by Roger Lustig (Chicago, IL: University of Chicago Press, 1990).

Danielson, Denis, ‘Fall’, in A Dictionary of Biblical Tradition in English Literature, ed. by David Lyle Jeffrey (Grand Rapids, MI: Eerdmans, 1992), pp. 271–73.

Davis, Ellen F., Proverbs, Ecclesiastes and the Song of Songs (Louisville, KY: Westminster John Knox Press, 2000).

Day, John, From Creation to Babel: Studies in Genesis 1-11 (London: Bloomsbury T&T Clark, 2013).

Day, Thomas, Why Catholics Can’t Sing: The Culture of Catholicism and the Triumph of Bad Taste (New York: Crossroad, 2013).

D’Costa, Gavin, Theology in the Public Square: Church, Academy and Nation (Oxford: Blackwell Publishing, 2005).

Dean, Winton, Handel’s Dramatic Oratorios and Masques (London: Oxford University Press, 1959).

—, ‘3.iv: Early 20th Century’, in Richard Cohn, Brian Hyer, Carl Dahlhaus, Julian Anderson and Charles Wilson, ‘Harmony’, New Grove Online,

De Lubac, Henri, Medieval Exegesis: Volume I: The Four Senses of Scripture, trans. by Marc Sebanc (Grand Rapids, MI: Eerdmans Publishing Co., 1998).

DeNora, Tia, Music in Everyday Life (Cambridge: Cambridge University Press, 2000).

De Roos, Simone A., Jurjen Iedema and Siebren Miedema, ‘Influence of Maternal Denomination, God Concepts, and Child-Rearing Practices on Young Children’s God Concepts’, Journal for the Scientific Study of Religion, 43 (2004), 519–35.

Derrida, Jacques, Of Grammatology, trans. by Gayatri Chakravorty Spivak (Baltimore, MD: Johns Hopkins University Press, 1976).

Dickie, Jane R., Lindsey V. Ajega, Joy R. Kobylak, and Kathryn M. Nixon, ‘Mother, Father, and Self: Sources of Young Adults’ God Concepts’, Journal for the Scientific Study of Religion, 45 (2006), 57–71.

Dillon, Michele M., ‘Can Post-Secular Society Tolerate Religious Differences?’, Sociology of Religion, 71 (2010), 139–56.

Donne, John, ‘Denmark House, some few dayes before the body of King James removed to his Buriall, Apr, 26. 1625’, in The Sermons of John Donne, ed. by George R. Potter and Evelyn M. Simpson, 10 vols. (Berkeley, CA: University of California Press, 1953–1962), VI, pp. 280–91.

Dorsey, David A., The Literary Structure of the Old Testament: A Commentary on Genesis — Malachi (Grand Rapids, MI: Baker, 1999).

Dyer, Rebekah M., ‘Multivalence, Liminality, and the Theological Imagination: Contextualising the Image of Fire for Contemporary Christian Practice’ (unpublished doctoral thesis, University of St Andrews, 2018).

Dyrness, William A., Poetic Theology: God and the Poetics of Everyday Life (Grand Rapids, MI: Eerdmans, 2011).

Edwards, Katie B., Admen and Eve: The Bible in Contemporary Advertising (Sheffield: Sheffield Phoenix Press, 2012).

Eliot, T. S., ‘Blake’, in idem, The Sacred Wood: Essays on Poetry and Criticism (New York: Alrfred A. Knopf, 1921), pp. 137–43.

Epp-Tiessen, Dan, ‘1 Kings 19: The Renewal of Elijah’, Direction, A Mennonite Brethren Forum, 35 (Spring 2006), 33–43.

Epstein, Heidi, Melting the Venusberg: A Feminist Theology of Music (New York: Continuum, 2004).

Eslinger, Lyle M., Kingship of God in Crisis: A Close Reading of 1 Samuel 1-12 (Sheffield: JSOT Press, 1985).

Felski, Rita, The Uses of Literature (Oxford: Blackwell, 2008).

Ferguson, Michael, ‘Understanding the Tensions in Liturgical Music-Making in the Roman Catholic Church in Contemporary Scotland’ (unpublished doctoral thesis, University of Edinburgh, 2015).

Finlay, Timothy D., The Birth Report Genre in the Hebrew Bible, FATII 12 (Tübingen: Mohr Siebeck, 2005).

Fleming, David L., What is Ignatian Spirituality? (Chicago, IL: Loyola Press, 2008).

Flynn, William T., Medieval Music as Medieval Exegesis (London: The Scarecrow Press, 1999).

Fuchs, Esther, Sexual Politics in the Biblical Narrative: Reading the Hebrew Bible as a Woman, JSOTSupp 310 (London: Sheffield Academic Press, 2000).

Fuller, Michael, ‘Liturgy, Scripture and Resonance in the Operas of James MacMillan’, New Blackfriars, 96.1064 (July 2015), 381–90.

Gabrielsson, Alf, Strong Experiences with Music: Music Is Much More than Music (Oxford: Oxford University Press, 2011).

Gallagher, Tom, Divided Scotland: Ethnic Friction and Christian Crisis (Glendaruel: Argyll Publishing, 2013).

Ganeri, Martin, ‘Tradition with a New Identity: Thomist Engagement with Non-Christian Thought as a Model for the New Comparative Theology in Europe’, Religions 3 (2012), 1054–74.

Gant, Andrew, O Sing Unto the Lord: A History of English Church Music (London: Profile Books, 2015).

Glory & Praise: Songs for the Worshipping Assembly (Phoenix, AZ: North American Liturgy Resources, 1977).

Gnuse, Robert Karl, The Dream Theophany of Samuel: Its Structure in Relation to Ancient Near Eastern Dreams and Its Theological Significance (Lanham, CT: University Press of America, 1984).

Goehr, Lydia, The Imaginary Museum of Musical Works (Oxford: Oxford University Press, 1994).

Gombrich, E. H., Art and Illusion: A Study in the Psychology of Pictorial Representation (New York: Phaidon Press, 2002).

Gordon, Robert P., I & II Samuel: A Commentary (Grand Rapids, MI: Zondervan, 1999).

Gowan, Donald E., From Eden to Babel: A Commentary on the Book of Genesis 1-11 (Grand Rapids, MI: Eerdmans, 1988).

Gregg, Robert C., Shared Stories, Rival Tellings: Early Encounters of Jews, Christians, and Muslims (New York: Oxford University Press, 2015).

Griffiths, Paul, The Penguin Companion to Classical Music (London: Penguin Group, 2005).

Hall, Joseph, The Works of Right Reverend Father in God, Joseph Hall, D. D. Successively Bishop of Exeter and Norwich, ed. by Josiah Pratt, 10 vols. (London: Williams and Smith, 1808).

Hallo, W. W., and K. Lawson Younger (eds.), Context of Scripture. Volume 1: Canonical Compositions from the Biblical World (Leiden and New York: E. J. Brill, 1996).

Hamilton, Victor, The Book of Genesis: Chapters 1-17, New International Commentary on the Old Testament (Grand Rapids, MI: Eerdmans, 1990).

Hamori, Esther, ‘When Gods Were Men’: The Embodied God in Biblical and Near Eastern Literature, Beihefte Zur Zeitschrift Für Die Alttestamentliche Wissenschaft, Bd. 384 (Berlin: Walter De Gruyter, 2008).

Hart, Trevor, ‘Conversation after Pentecost? Theological Musings on the Hermeneutical Motion’, Literature and Theology, 28 (2014), 164–78.

Hawkins, John, A General History of the Science and Practice of Music, 5 vols. (London: T. Payne, 1776).

Hayburn, Robert F., Papal Legislation on Sacred Music: 95 A.D. to 1977 A.D. (Collegeville, MN: Liturgical Press, 1979).

Hays, Richard B., Echoes of Scripture in the Letters of Paul (New Haven: Yale University Press, 1993).

Heaney, Maeve Louise, Music as Theology: What Music Says About the Word (Eugene, OR: Wipf and Stock Publishers, 2012).

Hens-Piazza, Gina, 1-2 Kings (Nashville, TN: Abingdon, 2006).

Hepburn, Ronald W., ‘Wonder’ and Other Essays: Eight Studies in Aesthetics and Neighbouring Fields (Edinburgh: Edinburgh University Press, 1984).

Herbert, James D., Our Distance from God: Studies of the Divine and the Mundane in Western Art and Music (Berkeley, CA: University of California Press, 2008).

Hick, John, The New Frontier of Religion and Science: Religious Experience, Neuroscience and the Transcendent (Basingstoke: Palgrave, 2006).

Hicks, Anthony, ‘Handel and the Idea of an Oratorio’, in Donald Burrows (ed.), The Cambridge Companion to Handel (Cambridge: Cambridge University Press, 1997), pp. 145–63.

Hinchliffe, Stephen, and others, Scottish Social Attitudes Survey 2014: Public Attitudes to Sectarianism in Scotland (Scottish Government Social Research, 2015).

Hopkins, Gerard Manley, The Poems of Gerard Manley Hopkins, ed. by William Henry Gardner and N. H. MacKenzie (Oxford: Oxford University Press, 1967).

Howells, Edward, John of the Cross and Teresa of Avila: Mystical Knowing and Selfhood (New York: Crossroad, 2002).

Hughes, Christopher G., ‘Art and Exegesis’, in A Companion to Medieval Art, ed. by Conrad Rudolph (Oxford: Blackwell, 2006), pp. 173–92.

Huijbers, Bernard, The Performing Audience: Six and a Half Essays on Music and Song in the Liturgy (Phoenix, AZ: North America Liturgy Resources, 1980).

John of the Cross, The Collected Works of Saint John of the Cross, trans. by David Lewis, 3 vols. (New York: Cosimo, 2007).

Jones, David, The Anathemata (London: Faber & Faber, 1972).

—, ‘Art and Sacrament’, in Every Man an Artist: Readings in the Traditional Philosophy of Art, ed. by Brian Keeble (Bloomington, IN: World Wisdom, 2005), pp. 141–69.

Johnston, Robert, Reel Spirituality: Theology and Film in Dialogue (Grand Rapids, MI: Baker Academic, 2006).

Jung, Carl Gustav, Letters of C. G. Jung: Volume 1 of 2, 1906–1950, ed. by Gerhard Adler and Aniela Jaffé, trans. by R. F. C. Hull (London: Routledge, 1992).

Kareem, Sarah Tindal, Eighteenth-Century Fiction and the Reinvention of Wonder (Oxford: Oxford University Press, 2014).

Karris, Robert J., ‘St Bonaventure as Biblical Interpreter: His Methods, Wit, and Wisdom’, Franciscan Studies, 60 (2002), 159–208.

Keats, John, Keats’s Poetry and Prose, ed. by Jeffrey Cox (New York: Norton, 2009).

Kim, Koowon, Incubation as a Type-Scene in the Aqhatu, Kirta, and Hannah Stories: A Form-Critical and Narratological Study of KTU 1.14 I-1.15 III, 1.17 I-II, and 1 Samuel 1:1-2:11, VTSupp 145 (Leiden: Brill, 2011).

Kingsbury, Stephen A., ‘The Influence of Scottish Nationalism on James MacMillan’s “A New Song”’, The Choral Journal, 47 (August 2006), 30–37.

Klein, Ralph W., 1 Samuel (Nashville, TN: Thomas Nelson, 2008).

Knight, George, Theology in Pictures: A Commentary on Genesis Chapters One to Eleven (Edinburgh: Handsel, 1981).

Knoblauch, A. Abby, ‘Bodies of Knowledge’, Composition Studies, 40.2 (2012), 50–65.

Kramer, Lawrence, Classical Music and Postmodern Knowledge (Berkeley, CA: University of California Press, 1995).

—, Expression and Truth: On the Music of Knowledge (Berkeley, CA: University of California Press, 2012).

—, Musical Meaning: Toward a Critical History (Berkeley, CA: University of California Press, 2002).

—, ‘Musicology and Meaning’, The Musical Times, 144 (Summer 2003), 6–12.

—, ‘The Musicology of the Future’, Repercussions, 1 (Spring 1992), 5–18.

—, The Thought of Music (Oakland, CA: University of California Press, 2016).

Kreider, Alan, ‘Introduction’, in Composing Music for Worship, ed. by Stephen Darlington and Alan Kreider (Norwich: Canterbury Press, 2003), pp. 1–14.

Kuipers, Joel C., ‘Ululations from the Weyewa Highlands (Sumba): Simultaneity, Audience Response, and Models of Cooperation’, Ethnomusicology, 43 (1999), 490–507.

Küng, Hans, Mozart – Traces of Transcendence (London: SCM, 1992).

Lang, Paul Henry, George Frideric Handel (London: Faber & Faber, 1967).

Latour, Bruno, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005).

Lehnhof, Kent R., ‘Performing Masculinity in Paradise Lost’, Milton Studies, 50 (2009), 64–77.

Leppert, Richard, and Susan McClary (eds.), Music and Society: The Politics of Composition, Performance and Reception (Cambridge: Cambridge University Press, 1987).

Leuchter, Mark A., and David T. Lamb, The Historical Writings: Introducing Israel’s Historical Literature (Minneapolis, MN: Fortress Press, 2016).

Lewis, C.S., The Problem of Pain (San Francisco: HarperSanFrancisco, 2001).

—, Surprised by Joy (London: Collins, 2012).

Licht, Jacob, Storytelling in the Bible (Jerusalem: Magnes Press, 1986).

Luther, Martin, The Life of Luther Written by Himself: Collected and Arranged by M. Michelet (London: George Bell & Sons, 1904).

—, Luther’s Works, Vol. 53: Liturgy and Hymns, ed. by Ulrich S. Leupold (Philadelphia, PA: Fortress Press, 1965).

Lynch, Gordon, Understanding Theology and Popular Culture (Oxford: Blackwell, 2005).

Lysik, David (ed.), The Liturgy Documents: A Parish Resource, 2 vols. (Chicago, IL: Liturgy Training Publications, 2004), Vol. 2.

MacMillan, James, ‘God, Theology and Music’, New Blackfriars, 81.947 (January 2000), 16–26.

—, and Richard McGregor, ‘James MacMillan: A Conversation and Commentary’, Musical Times, 151.1912 (Autumn 2010), 69–100.

—, ‘Parthenogenesis’, in Begbie (ed.), Sounding the Depths, pp. 33–38.

Marion, Jean-Luc, God without Being: Hors-Texte, trans. by Thomas A. Carlson (Chicago, IL: University of Chicago, 2012).

Matthew, Iain, The Impact of God: Soundings from St. John of the Cross (London: Hodder & Stoughton, 1995).

McCaffrey, John, ‘Roman Catholics in Scotland: Nineteenth and Twentieth Centuries’, in Scottish Life and Society: Volume 12 ‘Religion’, ed. by Colin MacLean and Kenneth Veitch (Edinburgh: Birlinn, 2006), pp. 170–90.

McCarter, P. Kyle, I Samuel (New Haven, CT: Doubleday Religious Publishing Group, 1995).

McClary, Susan, Feminine Endings: Music, Gender and Sexuality (Minneapolis, MN: University of Minnesota Press, 2002).

McGrath, Alister, Christian Theology: An Introduction (Chichester: John Wiley & Sons, 2017).

McGregor, Richard, ‘“A Metaphor for the Deeper Wintriness”: Exploring James MacMillan’s Musical Identity’, Tempo, 65 (July 2011), 22–39.

McGuire, Charles Edward, ‘Measure of a Man: Catechizing Elgar’s Catholic Avatars’, in Edward Elgar and His World, ed. by Byron Adams (Princeton, NJ: Princeton University Press, 2007), pp. 3–38.

—, and Steven E. Plank, Historical Dictionary of English Music: ca. 1400–1958 (Plymouth, UK: Scarecrow Press, 2011).

Meillassoux, Quentin, After Finitude: An Essay on the Necessity of Contingency, trans. by Ray Brassier (New York: Continuum, 2008).

The Methodist Hymnal (New York and Cincinnati, OH: The Methodist Book Concern, 1905).

Middleton, Richard, ‘Faith, Hope, and the Hope of Love: On the Fidelity of the Phonograph’, in Music, Sound and Space: Transformations of Public and Private Experience, ed. by Georgina Born (Cambridge: Cambridge University Press, 2013), pp. 292–310.

Millgram, Hillel I., The Invention of Monotheist Ethics: Exploring the First Book of Samuel (Lanham: University Press of America, 2009).

Milton, John, Paradise Lost, ed. by John Leonard (London: Penguin Books, 2003).

Moberg, Marcus, Kennet Granholm, and Peter Nynäs, ‘Trajectories of Post-Secular Complexity: An Introduction’, in Post-Secular Society, ed. by Peter Nynäs, Mika Lassander and Terhi Utriainen (New Brunswick, NJ: Transactions, 2015), pp. 1–26.

Moberly, Walter, ‘To Hear the Master’s Voice: Revelation and Spiritual Discernment in the Call of Samuel’, Scottish Journal of Theology, 48 (1995), 443–68.

Monson, Craig A., ‘The Council of Trent Revisited’, Journal of the American Musicological Society, 55 (Spring 2002), 1–37.

Moore, Stephen D.,‘The Song of Songs in the History of Sexuality’, Church History, 69 (2000), 328–49.

Mountford, Brian, Christian Atheist: Belonging without Believing (Winchester, UK and Washington D.C.: O Books, 2010).

Murdoch, Iris, The Sovereignty of Good (London: Routledge, 1970).

Nagy, Gregory, The Ancient Greek Hero in 24 Hours (Cambridge, MA: Harvard University Press, 2013).

Noden, Shelagh, ‘The Revival of Music in the Worship of the Catholic Church in Scotland, 1789–1829’ (unpublished doctoral thesis, University of Aberdeen, 2014).

Nugent, Donald Christopher, ‘There Was a Feminine Mysticism’, Mystics Quarterly, 14 (1988), 135–42.

Ocker, Christopher, and Kevin Madigan, ‘After Beryl Smalley: Thirty Years of Medieval Exegesis, 1984–2013’, Journal of the Bible and its Reception, 2 (2015), 87–130.

Osborne, Charles, The Opera Lover’s Companion (New Haven, CT: Yale University Press, 2004).

Paintner, Christine Valters, and Lucy Wynkoop, Lectio Divina: Contemplative Awakening and Awareness (New York: Paulist Press, 2008).

Panufnik, Roxanna, ‘Beyond a Mass for Westminster’, in Composing Music for Worship, ed. by Stephen Darlington and Alan Kreider (Norwich: Canterbury Press, 2003), pp. 76–85.

Partridge, Christopher, The Re-Enchantment of the West: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture, 2 vols. (London: T&T Clark, 2004 and 2005).

Patterson, Dorothy Kelley, and Rhonda Harrington Kelley, Women’s Evangelical Commentary: Old Testament (Nashville: B&H Publishing Group, 2011).

Paul VI, Pope, Marialis Cultus (1974),

Pius X, Pope, Tra le Sollecitudini (22 November 1903).

Polzin, Robert, Samuel and the Deuteronomist: A Literary Study of the Deuteronomic History Part Two: 1 Samuel (Bloomington, IN: Indiana University Press, 1993).

Porter, Mark, ‘The Developing Field of Christian Congregational Music Studies’, Ecclesial Practices, 1 (2014), 149–66.

Poulenc, Francis, Francis Poulenc: Articles and Interviews, ed. by Nicolas Southon, and trans. by Roger Nichols (Farnham: Ashgate, 2014).

—, Francis Poulenc: Echo and Source, Selected Correspondence 1915–63, ed. and trans. by Sidney Buckland (London: Victor Gollancz Ltd., 1991).

Pratt Jr., R. L., He Gave us Stories (Brentwood, TN: Wolgemuth & Hyatt, 1990).

Pritchett, James, The Music of John Cage (Cambridge: Cambridge University Press, 1993).

Provan, Iain, Discovering Genesis: Content, Interpretation, Reception (Grand Rapids, MI: Eerdmans, 2015).

Rambuss, Richard, Closet Devotions (Durham, NC and London: Duke University Press, 1998).

Ramsey, George W., ‘Is Name-Giving an Act of Domination in Genesis 2:23 and Elsewhere?’, The Catholic Biblical Quarterly, 50 (1988), 24–35.

Ratcliffe, Shirley, ‘MacMillan’, Choir and Organ, 8 (1999), 39–42.

Ratzinger, Joseph, The Feast of Faith: Approaches to a Theology of the Liturgy (San Francisco, CA: Ignatius, 1986).

—, A New Song for the Lord: Faith in Christ and Liturgy Today (New York: Crossroad, 1996).

—, The Spirit of the Liturgy (San Francisco, CA: Ignatius Press, 2000).

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Video and CD Recording

Boos, David, ‘TheoArtistry: Theologians and Composers in Creative Collaboration’, 20.53,

—, ‘The Power of the Arts to Communicate the Divine: TheoArtistry at St Andrews’, 3.49,

St Salvator’s Chapel Choir, Annunciations: Sacred Music for the 21st Century, St Salvator’s Chapel Choir and Sean Heath, cond. by Tom Wilkinson (Sanctiandree, SAND0006, 2018),