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Notes on Contributors
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ix
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Introduction: Whose Book is it Anyway? A View from Elsewhere on Publishing, Copyright and Creativity
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1
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Janis Jefferies and Sarah Kember
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PART I: Opening out the Copyright Debate: Open Access, Ethics and Creativity
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19
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1.
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A Statement by The Readers Project Concerning Contemporary Literary Practice, Digital Mediation, Intellectual Property, and Associated Moral Rights
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21
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John Cayley and Daniel C. Howe
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2.
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London-Havana Diary: Art Publishing, Sustainability, Free Speech and Free Papers
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33
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Louise O’Hare
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3.
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The Ethics of Emergent Creativity: Can We Move Beyond Writing as Human Enterprise, Commodity and Innovation?
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65
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Janneke Adema
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4.
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Are Publishers Worth It? Filtering, Amplification and the Value of Publishing
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91
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Michael Bhaskar
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5.
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Who Takes Legal Responsibility for Published Work? Why Both an Understanding and Lived Experience of Copyright Are Becoming Increasingly Important to Writers
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105
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Alison Baverstock
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6.
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Telling Stories or Selling Stories: Writing for Pleasure, Writing for Art or Writing to Get Paid?
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129
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Sophie Rochester
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7.
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Copyright in the Everyday Practice of Writers
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141
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Smita Kheria
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8.
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Comics, Copyright and Academic Publishing: The Deluxe Edition
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181
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Ronan Deazley and Jason Mathis
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PART II: Views from Elsewhere
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227
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9.
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Diversity or die: How the Face of Book Publishing Needs to Change if it is to Have a Future
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229
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Danuta Kean
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10.
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Writing on the Cusp of Becoming Something Else
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243
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J. R. Carpenter
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11.
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Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice)
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267
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Eva Weinmayr
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12.
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Ethical Scholarly Publishing Practices, Copyright and Open Access: A View from Ethnomusicology and Anthropology
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309
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Muriel Swijghuisen Reigersberg
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13.
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Show me the Copy! How Digital Media (Re)Assert Relational Creativity, Complicating Existing Intellectual Property and Publishing Paradigms
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347
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Joseph F. Turcotte
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14.
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Redefining Reader and Writer, Remixing Copyright: Experimental Publishing at if:book Australia
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379
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Simon Groth
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APPENDIX: CREATe Position Papers
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403
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1.
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Publishing Industry
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405
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Janis Jefferies
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2.
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Is the Current Copyright Framework fit for Purpose in Relation to Writing, Reading and Publishing in the Digital Age?
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415
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Laurence Kaye
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3.
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Is the Current Copyright Framework fit for Purpose in Relation to Writing, Reading, and Publishing in the Digital Age?
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417
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Richard Mollet
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4.
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History of Copyright Changes 1710–2013
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423
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Rachel Calder
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5.
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Is the Current Copyright Framework fit for Purpose in Relation to Writing, Reading, and Publishing in the Digital Age?
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427
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Max Whitby
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List of Illustrations
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429
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Index
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431
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