|
Notes to the reader
|
xiii
|
|
Abbreviations used in this book
|
xvii
|
|
Introduction: A new approach to codicology
|
1
|
|
Types of augmentations
|
7
|
|
|
Part I: The modular method
|
15
|
|
A.
|
Modular and non-modular, compared
|
18
|
|
B.
|
The hierarchy of decoration
|
25
|
|
C.
|
Modules and blank space
|
29
|
|
D.
|
Precursors of book modules
|
34
|
|
E.
|
Implications of the modular method
|
41
|
|
F.
|
Adopters of the modular method
|
44
|
|
G.
|
Complicated stratigraphy
|
50
|
|
|
Part II: Changes that did not require rebinding
|
59
|
|
A.
|
Correcting the text
|
59
|
|
B.
|
Adding text to the blank folios and interstices
|
62
|
|
1.
|
Noting who owned, commissioned, and paid for items
|
63
|
|
2.
|
Adding family information
|
67
|
|
3.
|
Adding legal documents
|
70
|
|
4.
|
Adding a gloss
|
75
|
|
5.
|
Adding calendrical data
|
77
|
|
6.
|
Changing a text to reflect updated circumstances
|
81
|
|
7.
|
Adding text to make a book appropriate as a didactic tool
|
84
|
|
8.
|
Adding prayers
|
88
|
|
C.
|
Augmenting the existing decoration
|
99
|
|
D.
|
Drawing or painting images directly onto bound parchment
|
105
|
|
E.
|
Adding physical material superficially
|
109
|
|
1.
|
Attaching parchment sheets to blank areas of the book
|
109
|
|
2.
|
Adding other objects to blank parchment
|
114
|
|
|
Part III: Changes that required rebinding
|
119
|
|
Rebinding
|
120
|
|
A.
|
Adding leaves bearing texts
|
126
|
|
B.
|
Adding leaves bearing images
|
135
|
|
1.
|
Images for the most common offices
|
136
|
|
2.
|
Images for indulgences
|
139
|
|
3.
|
Portraits and personalizing details
|
147
|
|
4.
|
Images for adding value
|
151
|
|
5.
|
Images for missals
|
153
|
|
6.
|
Other single-leaf miniatures
|
159
|
|
7.
|
Packages of images
|
167
|
|
8.
|
Images removed from one manuscript and inserted into another
|
170
|
|
C.
|
Adding quires
|
180
|
|
1.
|
Adding a bifolium
|
181
|
|
2.
|
Adding one or more full quires
|
197
|
|
|
Part IV: Complicated interventions and complete overhauls
|
223
|
|
Building a book out of disparate quires
|
223
|
|
A.
|
An atelier in Bruges
|
224
|
|
B.
|
Unica
|
233
|
|
C.
|
The convent of St. Ursula
|
244
|
|
1.
|
Oxford, Bodleian Library, Ms. Rawl. Liturg. E.9*
|
244
|
|
2.
|
The Hague, Koninklijke Bibliotheek, Ms. 132 G 38
|
251
|
|
3.
|
Uppsala, Universitetsbiblioteket, Ms. C 517 k
|
270
|
|
D.
|
The convent of St. Agnes in Delft
|
282
|
|
E.
|
The Masters of the Dark Eyes
|
303
|
|
1.
|
Alongside the Master of Gijsbrecht van Brederode
|
304
|
|
2.
|
Leeds, Brotherton Ms. 7 with an added booklet
|
320
|
|
|
Part V: Patterns of desire
|
327
|
|
A.
|
Desire to personalize the book
|
328
|
|
B.
|
Desire to commemorate a changed family situation
|
329
|
|
C.
|
Desire to store small precious objects
|
329
|
|
D.
|
Desire for more embellishment
|
330
|
|
E.
|
Recycling and refurbishing
|
330
|
|
F.
|
Desire to make foreign-produced manuscripts locally relevant
|
331
|
|
G.
|
Desire to incorporate new prayers
|
331
|
|
H.
|
Fear of hell
|
332
|
|
I.
|
Desire to reflect wealth
|
333
|
|
J.
|
Changes, social and codicological
|
334
|
|
|
Bibliography
|
339
|
|
List of illustrations
|
355
|
|
Index
|
387
|
