Copyright

Alison Stone

Published On

2026-07-16

Language

  • English

Print Length

18 pages

THEMA

  • QDTQ
  • QD
  • QDTJ
  • JPA
  • JH

BISAC

  • PHI005000
  • PHI019000
  • PHI009000
  • PHI022000
  • POL028000

Keywords

  • Victorian philosophy
  • Ethics
  • Metaphysics
  • Religion
  • History
  • Feminism

4. Self and Unself

This chapter looks at the imperfect antithesis of selfishness and unselfishness, which organises Wedgwood’s thought on the self and ethics. She criticises contemporary James Hinton, who believes that we can be educated to the point where the selfishness/unselfishness dichotomy is overcome. Wedgwood thinks this is unrealistic, and that the real antithesis of selfishness and unselfishness is where the challenges of ethical life get started. Having a self entails some level of selfishness; being unselfish is the highest moral ideal; and given natural selfishness, being unselfish necessarily means making some sacrifice of oneself, which must be a hard struggle. These claims can be reconciled with Wedgwood’s historical account of selfishness as a distinctly modern development, if we see history as moving progressively towards realising inherent features of the self. I then introduce some problems with her ideal of self-sacrifice. First, it may be a veiled form of self-fashioning and self-inflation. Second, she thinks women are much more given to self-sacrifice than men. This at worst praises women’s moral exploitation, although her aim is to place women at the centre of moral life. The chapter closes by drawing together several imperfect antitheses that are at work here. Above all, unselfishness is the highest virtue, yet selfishness is normal and not blameworthy nor vicious.

Contributors

Alison Stone

(author)
Professor of Philosophy at Lancaster University

Alison Stone is Professor of Philosophy at Lancaster University. Her most recent books are on nineteenth-century women philosophers. They are Frances Power Cobbe: Essential Writings of a Nineteenth-Century Feminist Philosopher (Oxford University Press, 2022), Frances Power Cobbe (Cambridge University Press, 2022), Women Philosophers in Nineteenth-Century Britain (Oxford University Press, 2023), and Women on Philosophy of Art: Britain 1770-1900 (Oxford University Press, 2024). With Charlotte Alderwick, she co-edited Nineteenth-Century Women Philosophers in Britain and America (Routledge, 2024), and with Lydia Moland, she co-edited The Oxford Handbook of American and British Women Philosophers in the Nineteenth Century (Oxford University Press, 2025).