Copyright
Jennifer GoodlanderPublished On
2026-08-27Language
- English
Print Length
24 pagesTHEMA
- JBSF1
- D
- AFKP
- 1FMN
- 5TFK
BISAC
- SOC028000
- LIT004290
- ART019020
- ART057000
- ART060000
Keywords
- women
- literature
- performance
- film
- Global Asia
- Indonesia
4. Set to Sail
For the women in the novel, the song, and the short play that are the focus of this chapter, boats represent possibility. Perahu Kertas [Paper Boats] by Dee Lestari follows the story of Kugy, who dreams of someday being an author of stories for children. On the surface, the book is the kind of light romance women authors are often accused of writing, instead of “serious literature.” Kugy writes her dreams on boats made of paper and sets them to sea, eventually realizing the power of being true-to-herself.The island of Ambon, part of the Maluku islands in Indonesia, is the imagined home in both Dapur [The Kitchen] by Luna Vidya and the song “Gunung Salahutu/ʻO Honolulu Kuʻu Home” by Vanessa Alputila. In both, characters struggle to picture their new destination as “home” and boats represent voyages of trespassing against unrealized hopes.
Contributors
Jennifer Goodlander
(author)Jennifer Goodlander is an Associate Professor at Indiana University-Bloomington in the Department of Theatre and Drama and also Director of the Southeast Asian and ASEAN Studies Program. Jennifer has published numerous articles and two books: Women in the Shadows: Gender, Puppets, and the Power of Tradition in Bali (Ohio University Press, 2016) and Puppets and Cities: Articulating Identities in Southeast Asia (Bloomsbury Methuen Drama, 2018). Jennifer remains active as a theatre director and puppeteer and has performed Balinese wayang kulit, or shadow puppetry, at international festivals and around the United States.