Copyright

Will McMorran;

Published On

2025-09-24

Page Range

pp. 1–26

Language

  • English

Print Length

26 pages

Introduction

  • Will McMorran (author)
The introduction opens with a brief overview of literary critical approaches to Sade since the 1960s, the decade which saw the first academic conference devoted to Sade as well as influential publications by Roland Barthes among others. It reflects on the dominant trends in Sade scholarship thereafter, the linguistic and the historicist, and argues that, for all their insights, these approaches have not been conducive to addressing the affective force of the violence that arguably defines the Sadean oeuvre. The introduction then makes the case for an embodied cognition approach, drawing on empirical evidence, that places the lived reading experiences of actual readers at the heart of the study of Sade, and indeed literary studies more generally. Drawing on the latest work in cognitive literary studies, it sets up the chapters to come by familiarizing the reader with the range of mental imagery that readers of fiction experience from the visual to the kinaesthetic.

Contributors

Will McMorran

(author)
Professor of French and Comparative Literature at Queen Mary, University of London

Will McMorran is Professor of French and Comparative Literature at Queen Mary University of London. He has published several articles and book chapters on Sade and the history of his reception, and has edited and translated two of his works: 'The 120 Days of Sodom' (2016) for Penguin Classics with Thomas Wynn, which was awarded the Scott Moncrieff Prize, and The Marquise de Gange (2021) for Oxford World’s Classics. His work as a translator has also included several stories for 'The Penguin Book of French Short Stories' (2022), and Philippe Brenot’s graphic history, 'The Story of Sex' (2016).