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Copyright

Theron Schmidt

Published On

2025-10-24

Page Range

pp. 359–386

Language

  • English

Print Length

28 pages

17. Affective Attunement

Mapping the Invisible

This chapter describes methods for researchers to attune to the affective dimensions of their social and environmental conditions. These are placed within the context of feminist and decolonial ideas of ‘situated knowledge’ as opposed to universal knowledge: the view ‘from ground level, in the thick of things’, as Dwight Conquergood puts it. Sociology and ethnography have also developed methods for critical self-positioning, but the author argues that performance-based practices add to these by introducing embodied and experiential techniques to make apprehensible—that is, literally perceptible—the forces acting upon and through the observing subject. In this chapter, the focus is on the use of creative constructs to displace the intentional and authorial subject in place of an experiencing subject, open to chance influences and attenuated to that is which is preconscious or presubjective. Ant Hampton’s Borderline Invisible (2023) is discussed as an example of ‘performative mapping’ that brings to the surface the buried but very much live currents of migration, genocide, and ethnic displacement in the European context. This method is then extended to learning and teaching situations where practicing researchers can develop their affective sensitivities.

Contributors

Theron Schmidt

(author)
Assistant Professor at Utrecht University

Theron Schmidt is Assistant Professor at Utrecht University, Netherlands, and works internationally as an artist, teacher, and writer. He is a founding co-convener of the Performance Philosophy network and an Editor of the journal Performance Philosophy. He is also an Editor of Global Performance Studies and an Associate Editor of Performance Research. He was the winner of the 2021 UK Theatre & Performance Research Association Editing Prize for Agency: A Partial History of Live Art (Intellect 2019), a collection of interviews with almost 50 artists, curators, and thinkers in the field of contemporary performance, and is the author of The Theatricalists: Making Politics Appear (Northwestern University Press 2024).