Copyright
Lionel GossmanPublished On
2015-05-25ISBN
Paperback978-1-78374-127-4
Hardback978-1-78374-128-1
PDF978-1-78374-129-8
HTML978-1-80064-484-7
XML978-1-78374-646-0
EPUB978-1-78374-130-4
MOBI978-1-78374-131-1
Language
- English
Print Length
192 pages (x + 182)Dimensions
Paperback156 x 10 x 234 mm(6.14" x 0.41" x 9.21")
Hardback156 x 13 x 234 mm(6.14" x 0.5" x 9.21")
Weight
Paperback613g (21.62oz)
Hardback991g (34.96oz)
Media
Illustrations140
Funding
- The University Committee on Research in the Humanities and Social Sciences, Princeton University
OCLC Number
910991780LCCN
2019452883BIC
- AJ
- AJB
BISAC
- PHO010000
- PHO014000
- PHO001000
- PHO023040
- PHO016000
LCC
- TR820.5
Keywords
- Thomas Annan
- photography
- documentary
- Glasgow
- portraits
- landscapes
- Victorian Scotland
Thomas Annan of Glasgow
Pioneer of the Documentary Photograph
- Lionel Gossman (author)
In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse, the "Second City of the Empire,” a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings and a portrait and landscape photographer is less widely known. Thomas Annan: Photographer of Victorian Scotland offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing these themes further.
Reviews
The Old Closes and Streets of Glasgow [...] is widely recognized as a classic of nineteenth-century documentary photography. However, Annan’s achievement as a photographer of paintings, portraits, and landscapes is less widely known. To repair this neglect, Thomas Annan of Glasgow offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work.
The Photo Review Newsletter, 2015.
Additional Resources
[blog]How I Came Home
Contents
1. Introduction
(pp. 1–24)- Lionel Gossman
2. Paintings
(pp. 25–38)- Lionel Gossman
3. Portraits
(pp. 39–48)- Lionel Gossman
4. Landscapes
(pp. 49–66)- Lionel Gossman
5. The Built Environment
(pp. 67–88)- Lionel Gossman
6. The Old Closes and Streets of Glasgow
(pp. 89–124)- Lionel Gossman
7. Epilogue
(pp. 125–126)- Lionel Gossman
Endnotes
(pp. 127–162)- Lionel Gossman
Contributors
Lionel Gossman
(author)M. Taylor Pyne Professor of Romance Language at Princeton University